First lesson from Ever After 2017

Ever since I won a seat in the Ever After 2017 course organized by Tamara Laporte, I’ve been excited to get started. The course started July 1st, so you may wonder why it has taken me so long to complete the first lesson.

The seat I won included package 2 which includes style development. Tam takes her lessons very seriously and style development is no different. She provides a workbook that asks some very poignant questions. This is important for one who really wants to develop their own style. I’ve been lost about how to do this and after reading the first set of questions and working on answering them, I can understand why finding my own style has been a challenge.

I used to think of myself as a deep thinker but realized there are areas I haven’t even considered. Answering the questions wasn’t always easy. It took days for me to pick up a pencil and begin the first art lesson after answering those questions. It took even more days after the sketch was completed to add color. Every time I approach a page no matter what it is, I have to face my inner demons. Demons that were planted in childhood of not being good enough. It is funny how something as simple as vacuuming and dusting a living room and being criticized for it, can make one think they can’t do anything well.

It took me one day to create the main character sketch, and another day to add some sketches of the embellishments being planned. It took the same amount of days to add the color, collage and details. I finished it yesterday, the 16th. Sixteen days from when the course started.  Yes, I have done other artwork in those days as well. The other artwork helped to build my confidence up and bravery up to approach this page with paint.

I don’t think the feelings I have when approaching the page will ever completely go away. What I hope will happen is my confidence will increase over time and I will be able to push through the fear and hesitation more quickly so I can experience the joy of creating.

This page wasn’t without its trials and tribulations. One area in particular on the large bear gave me trouble because I chose a color that was not suitable and was almost impossible to cover up. I ended up using gesso which then became a challenge to get the mediums I was using to work over it. Yes, I had to improvise and choose a different medium to lay down something that would accept other mediums so it would hopefully blend seamlessly with the rest of the bear. In the end, I discovered I could do it and be happy with the result.

I am not a fan of collage but Tam’s instructions are to follow the instructor’s lesson as closely as possible in order to learn what you like and don’t like in order to discover and develop your own style. So… I did the collage. My materials for collage are few. I haven’t created a variety of stock to use for collage because early on I realized I wasn’t a fan of it. At the most, I do like to use collage on thinner paper to build up thickness so it would not disintegrate under wet mediums. In that case, I generally like to use text paper from old books.

Because this is a course one has to purchase I will not go into any more details of the lesson. If you want to learn more, check out Tam’s list of courses. All of them even the free ones are phenomenal in my opinion.

Goldilocks and the Three Compassionate Bears

This is my version of Goldilocks and the Three Bears lesson that is given by Tamara Laporte. I am thrilled with how it turned out. I finished the followup questions today which I realized I should have been considering and making notes on as I worked on this lesson. I think I remembered enough of my experience to answer the questions appropriately.

I would love to do this again but with just watercolor, and maybe I’ll try it or incorporate it into the last lesson for part 1 of the course. The last assignment of part 1 is to then take what you have learned from the instructor led classes and create your own. It is early to think about that right now. I have three more lessons in part 1 and a bonus lesson to do yet and it is already over half way through the month of July.

Watercolor with a tad bit of Acrylic…

I surprise myself sometimes. This is one of those times. The below painting is from the Pull, Pen, Paint course I’m taking online. This is the first time I attempted a portrait using watercolor. In different art lessons I have taken, almost all of the instructors state to not give up when your painting looks like a mess. It is hard to believe them when they say, if it is a mess then you are doing something right, because if you keep going the results will be amazing. I have to admit, there were several times, I had some “Ah, shit” moments and my inner critic would tell me “It will never turn out the way you want it to.” Well, my inner critic was right. It turned out better than I had planned.

I started with a pencil sketch. Then started in with watercolor, wet on dry for the face. I didn’t have flesh tone in my watercolors, so I had to mix my colors. The first brush stroke I put down had an immediate response of, “Oh shit, that’s too dark.” I continued though, using techniques I saw other painters do, like taking a slightly wet brush without any paint on it to blend and push the darker color where I wanted it to go.

I can’t describe every part of what I did because I really don’t remember everything. I know I pushed the paint around, even got some pilling of the paper but only slightly and I would back off a bit when that would happen. The face was all wet on dry or mostly dry, because it does become damp from the paint I’m applying but I never made it sloppy wet. I left that for the hair, the background and the blouse.

The hair was done next, once I had the face mostly to where I wanted it. I always have trouble finalizing the face until I have the hair in. The hair changes everything about the face. What once looked dark, becomes lighter. I put down yellow, and added water to spread it around more, added brown to get some texture and shading. Then I went to the background and the shirt.

The background and the shirt were wet on wet. Red down first on the shirt. Then black for the background. I blotted some of the excess water up which gave the background a nice texture. Then I layered slightly watered down acrylic gold metallic, not just on the black background but also over the hair and the blouse.

This is where it gets fuzzy as to what all I did. I returned to the face and added some details in black watercolor, and brown for the eyes, and added some blue to the skin tone to get some a blueish grey color for shading. I needed deeper shading, and less pinkish/brown. Then I added the black around the eyes and eyelashes, and other details around the face. I was pretty happy with it but needed some highlights.

I went to acrylic vanilla to blend in and push back the shading on her face. Then white acrylic for some brighter highlights. I added black and white acrylic to the hair which really brought the colors out and added dimension.

Pull, Pen, Paint is a course about using Tarot to inspire our art. I took three things from my Tarot drawing. A color pallet of gold, black and red. A feeling of being kind and gentle with myself. An inner desire to create a woman which embodied the essence of the Tarot reading.

During the painting, a storm blew in. Thunder sounded, and rain poured down, and the rather warm day turned into a cool cleansing.  As I write this, I look out my window. The rain still comes down but not in the hard downpour of earlier. Classical music has been playing all day while I worked. I’m happy with what I’ve created.

I have another page with another sketch waiting for paint to be applied. It is an idea I have for Journal52’s prompt Emerge. I’m excited to get started but need to finalize this one, and sign it.

Oh, I discovered a few days ago, I can’t do a web store on WordPress from a free WordPress account, so if I want to sell any of my work, I’ll have to purchase web hosting that will allow for a web store. I’m not sure what I’ll do about that right now.

~Patti

 

HeavenandEarthPainting