Experimenting, seeking, and blessings…

I have been playing around with watercolor pencils and my watercolor paints. I have been watching some youtube videos to get some ideas for what I can do artistically to support my bible studies and my spiritual journey.

First, I learned how to highlight text in my bible and then use the same highlighter color to mark my notes I make in the border of my journaling bible, so it is easy to find my notes which refer to the text. This is great because it not only makes it easy to reference the scripture with my notes, it also adds some marvelous color to my bible.

I also have a notebook where I write down notes regarding the chapter I read in my daily bible study. But the notebook is rather plain and uninspiring since it is written using black ink and in a cheap composition notebook. I decided to start making changes:

1. The first thing I changed was the format so what I read daily was grouped together and each day was separated by a date.
2. The next thing I did was use a different color of ink each day. I have about 6 different colored gel pens so I started using them to write my notes changing to a different color the next day. This created an obvious division between each day’s studies.
3. The third thing I did was see if I could use watercolor pencils on the paper and a waterbrush to activate them. This is where I started to run into issues. The watercolor pencils didn’t move hardly at all on the untreated paper of the composition notebook. This also caused the paper to wrinkle.
4. The next step, I tried some watercolor paint but that also didn’t move very much. Below is a picture of the watercolor paint layered over the watercolor pencils and you can see how splotchy it appears. I wasn’t crazy about it at all, although when I started writing my notes over it, I kind of liked it. This page has an interesting crinkling sound to it and it is wrinkly, an effect from becoming wet which I sometimes like and sometimes don’t.
5. The next thing I did was try treating a page front and back with clear gesso and applying watercolor pencils to it and activating it again with a waterbrush. This worked better but still had issues with getting it to blend out the way I wanted it, so I put a wash of watercolor paint over it. This is still blotchy but better than the one above and the page doesn’t wrinkle or crinkle like the untreated page above. I actually love the texture of the page from the clear gesso I’m using. The gesso isn’t gritty and it gives the page what my touch and mind can only interpret as an almost leather type feel to it on both the surface and when bending and turning the page. It feels sturdier and not at all like paper in how it bends.
6. On the other side of the treated page, I used just watercolor wash of paint over the clear gesso. This is by far my favorite and is what I plan on doing going forward in my bible study notebook.

I expect my next change will be to decorate the cover of my notebook, after watching a video today on youtube of someone covering their composition notebook, it made me want to do something similar.

The thing I am most pleased about is finding a way to work with a cheap composition notebook. I have seen other people on youtube and in some art courses I’ve taken who use composition notebooks for their art journals, junk journals, bullet journals and so forth but when I tried to use one in the way they did, it just didn’t appeal to me. Most of them didn’t treat their pages, some of them glued pages together to make them sturdier.

As you read above, I don’t generally like the page when it gets all crinkly after it dries, though the sound is pleasing the results of the medium on the untreated page isn’t.  As I learned in my creative journaling bible and now in this notebook, treating the page with clear gesso is what I like best because it gives me a broader range of options for anything I might want to do on the page. Consequently, I’m going through clear gesso quite quickly, luckily the clear gesso I can get locally isn’t expensive and I like it.

I only have a couple pages done with watercolor in my journal, even so, when I flip back through my journal, I definitely like the ones with color more. I am hoping to add some doodles or some variations in my writing to help make my notes more visual so I might be able to have instant recall on what was in the text I was studying. Right now my notes just run together. I am intrigued by those who are able to create doodles in their notes as they go and have them make so much sense. I have never been a doodler, so trying to come up with simple images to draw that would emphasize what I’m learning doesn’t come easily or naturally to me. I think I’m more of a word person, so creating changes in my writing may be what I need to do.

What I’m learning is experimenting, trying different things, is helping me to find what works for me. This is being driven home even more so in my play with watercolor paint. These next two images are from practicing on two pieces of 4 1/2″ x 5″ watercolor paper. I have watched a number of artists on youtube paint with watercolor and each time I try to do something without following a lesson or what they are doing and just try to do something on my own, it ends up something like these. Then I don’t know what to do with them.

The first one looks like an out of focus picture of flowers that have no connection with the earth or each other.

I have no idea where I was headed with this one, I just started putting paint down where I felt like placing it and letting it run. I think when I was letting the paint run we had a bit of thunder and lightening happening outside which doesn’t occur very often.

Basically, I was just playing. I think I should try a challenge of doing one of these small watercolor practice squares a day for 30 days and see what happens. I’m just feeling a bit overwhelmed with other things I feel I should be doing and not progressing as fast as I think I should be so to add something like a challenge right now might be a bit too much.

It is hard to justify playing with my art when I feel I should be focusing on things to improve our financial situation. I have to keep myself open to what God wants me to do. After winning a spot in “Paint Your Heart and Soul 2019” and another spot in “Life Book 2019”, I have to believe that God wants me to continue pursuing my art and including it as often as I can in my day-to-day activities.

I started a prayer journal and I’m using my artistic skills to bring prayer to life for me. That may sound strange so below is an image of a page in my prayer journal. I don’t want to confuse anyone and have them think the artwork or text is mine. I got both from Pinterest.  If you want to look up the text graphic you can find it here. If you want to look up the image you can find it here.  The footnote to the image states, “Praying is a painting by Dorina Costras which was uploaded on April 11th, 2017.” I had the background painted long before I found the text or image so to find an image which spoke to me so deeply and blended so well with my background and also the text is wonderful. I would love to have this image on canvas or print for my wall but in my present circumstances I can’t afford it so I opted for a small printout to put in my prayer journal.

The image and the words together bring prayer to life for me. It has been difficult to have faith that my prayers will be answered. Throughout my life, I have prayed more times than I can count where I felt like no one was listening and nothing came of my prayers. The more I read my bible, the more I realize there was a very important element missing in my life when I accepted Jesus into my heart as my Lord and Savior. Learning was disjointed, had no cohesion, there was no direction given to me as a new child of God. Would things have been different if there had been a more structured teaching to help someone like me? I can’t answer that. I would like to think so but God does things a certain way for a good reason. Maybe after being saved, I needed to become lost and lose almost everything so I would truly seek him for the right reasons. Seeking God for one’s own personal gain is wrong. I originally sought him and accepted him because I feared for my life that I might die and go to hell. I didn’t seek him to glorify him or out of fear of him. In April, when I decided to start reading the bible, I did so because I wanted to get to know God and who he really is. Not the God I was taught about as a child because I felt what I was being taught was a bastardized version of him and not the real HIM.

It is hard to sit back and study the bible at the pace I am studying it. I want to fly through it learning all I can as fast as I can.  Even though I’m moving through it chapter by chapter instead of verse by verse which is what is recommended by Anne Graham Lotz in her 3-Question Bible Study method, I feel like I’m learning at a snail’s pace.

I came across Anne’s method a couple weeks ago when I was searching different ways of studying the bible. I also discovered she has recently been diagnosed with breast cancer and has just started chemo treatments. From what she writes it sounds like her diagnosis is more severe than mine and her treatments will last a lot longer. I pray for her every day for God to give her strength and healing. I used to listen to her father Billy Graham many years ago but had no idea she had her own ministry. From what little I have read and listened to so far, she may become a rather important source of inspiration for me.

I am slowly finding my way in this life, this new life which is developing out of the ashes of my old life. I often feel as though I am no longer standing on solid ground, so unstable it might dissolve completely leaving nothing to stand on, or that I’m standing on the edge of a cliff where the slightest breeze could push me over the edge. God is the only one who is keeping me grounded. He is answering my prayers and giving me hope. When I am left to my own devices, and I try to rely on just myself, everything just feels like it is falling apart and there is no hope left in me.

I am learning to lean on God, and he is showing me in amazing ways that he is listening and answering my prayers in his own way and in his own time. It is hard to be patient. It is hard to change from my old ways. It is hard not to let doubt bubble up and overwhelm me. But each time I witness God’s helping hand in my life, my faith grows a bit more, a bit stronger and becomes a bit more rooted. I am glad my art has a part in my life. I love how it is becoming entwined with my spiritual growth.

Maybe one day I’ll discover my true purpose which God has for me.

The Light in My Darkness

It has been almost two months since my last post. As to why, well, the answer can be quite complicated and too personal to want to talk about. I’ve been struggling with life, mostly, which means I am also struggling with my art. Or rather, I find when I loose interest in life, then I also loose interest in my art.

There is one thing which has remained consistent since I added another element to my journey a few months ago. That element is reading the bible every day. I don’t know why NOW is any different from the times I tried to do this in my past.  I only know that it is. If I miss a single day in reading the bible, I feel compelled to read twice as much the next day. The hunger inside of me to read and learn what the bible has to teach me is strong. It keeps me going. Though I have felt lost these past few months in my life, the one thing which has kept me from loosing myself completely is my daily reading.

I have heard other artists say that art has saved them or helped them through some tough times. I wanted this to be the case for me but it wasn’t. I believe we all have something which can help us and we each have to find what that one thing is. I’m learning, mine is feeding the hunger I feel in my soul to get to know God through my reading of the bible.

I pulled out a bible I bought some time ago. It is called “Inspire, The Bible for Creative Journaling”. I bought some clear gesso and started prepping the pages so I could use markers for making annotations in the wide borders or coloring in the artwork that was already in the wide margins. If I don’t do this then the markers bleed through the page to the other side and I’m finding I don’t like using colored pencil as much as I thought I would. It is too slow for me to keep up with my reading. Also, some ink pens will also bleed through the pages so the clear gesso prevents that.

On two of the pages, I discovered parts of scripture which has come to mean a lot to me these past couple of weeks. I decided to create a couple loose art journal pages so I could display them as reminders. Below are the two pages I created.

This first one comes from 2 Chronicles 20:12 but is a shortened version and I changed it to have a more personal meaning for myself, which is why I didn’t reference the verse of the bible on the page. It has become a daily prayer of mine when I’m feeling particularly lost.

This one, I did reference the bible verse. Though it isn’t the whole verse the words are verbatim and part of the verse. This one gives me hope that my prayer is being heard.

It may seem odd that I came across the verses in the order they are presented here since I’m reading the bible from front to back and not skipping around. Not even to read any versus that are referenced in my study bible.

How I discovered these verses is like this…

I was feeling rather tired and went to put my bible on the table but instead it fell on the floor. My first thought was, “I wonder what it opened up to.” This is what I saw:
I immediately knew I needed to make this my daily prayer when I’m feeling lost and in the need of help.

I don’t remember if it was the same day or the next day or the day after. All I know, was within a day or two, I came across the second verse when I was flipping through the pages getting ready to prep them when I saw this:

I knew I wanted to put these two versus on display in my house so I would be reminded every single day to not loose faith.

Things happen in the way they do, for a reason. I believe I was shown these two verses in the order they were given to me, to help me regain my faith.

I had both of the verses in mind when I started working on the first page. On the day when I put the finishing touches on the first page, I was given an answer I was looking for. I created the second page soon after and finished it tonight.

I have a lot of hard work ahead of me in order to follow up on the answer I was given. My artwork will continue to be a part of my life and always will be. There might be times when it seems like it has taken a backseat but hopefully if I do my work, and keep my faith. All will become clear.

After adding the text to my second page, I was given another answer I had not really known I was looking for. I knew art would always be a part of my life but as time continued, it was beginning to look more and more like my time was going to be pulled away from art. I wondered if it would slowly disappear from my life completely. Then, just as I was almost completed with the second page, I received my second answer.

I had been doing the steps for Let’s Face It 2019 and Paint Your Heart and Soul 2019 to try and win a spot in their giveaways. I started doing this last year when I realized my income might not make it possible for me to purchase both the courses and art supplies. If I could win the courses then I should be able to purchase the art supplies.

Let’s Face It was easy to get the information for each of the artists to enter the giveaways. However, Paint Your Heart and Soul was rather frustrating. There were some I couldn’t find any postings for at all. The dates in the post containing the list of artists indicated it was the date for the giveaway. There were links to the artist’s social media pages but a couple had issues with the links, others had no posts for the course or any instructions for the giveaway and there was no way to tell when the artists would post for the giveaway. Some artists posted well before the date of their giveaway and others, well, some I never found and I reached the point of just giving up and be satisfied with just the ones I had entered.

Then one morning (20 Sept) I was checking Facebook. I discovered a friend request from Sabra Awlad Issa.  I didn’t realize immediately that she was one of the artists only that she was friends with other artists, so I accepted her. That was when I discovered, I won a spot in “Paint Your Heart and Soul 2019”!

Sometimes signs/messages/answers come to us in ways that we may miss them or barely even notice them and we barely acknowledge them and most often forget about them. Then there are times when they come to us like a bolt of lightning or a two-by-four over the head or just so blatantly obvious we can’t ignore what we are being told. This is how I feel about winning the spot in “Paint Your Heart and Soul 2019”.

I hadn’t realized I was looking for a second answer regarding my art. I have always been creative and though I had doubts about how much time I would have to devote to my artwork, I didn’t doubt I would continue. This, however, was a sign to tell me it will continue to be a major part of my life.

Between the two answers I received, I understand the message being given to me. Work hard to get what I want. Stop doubting my abilities. But most of all be strong in my faith.

These past few years, I have felt like I was being buried alive. I have felt like I have no future and my existence on this earth has no meaning. I’m still not sure about the last part but at least I don’t feel like I’m being buried alive anymore. I have my work cut out for me. There might be gaps in posting because I have new priorities which I must not let slide. I might just post a piece of art once in a while but I can’t promise that because I love writing too and I feel like I need to write too if I post any art. Only time will tell what I’m inspired to do.

I am so thankful to God for all that He has done for me, especially this past week. I was so deep in my own darkness there was no light at all. But now…. now there is light and I’m hopeful but most of all I have faith and a direction to head towards.

❤ ❤ ❤

~Patti

Finally completed…

I waited a few days before calling this one done. I wasn’t sure if there was anything more I wanted to do with it. I had thought maybe I would add some designs to the background but decided on just this simple pattern from a stencil I created. I used watercolor through the stencil similar to the background colors. Then I added dark shadow lines and white highlight lines which in real life makes the shapes pop up off the page. Sometimes when I look at it, I’m sure it would feel like I applied texture paste. I didn’t. It is just an illusion which is something I love just as much as I would have loved the physical texture.

This is probably one of my favorite spreads in my journal probably because it is the first time I did a puppy and the puppy made itself known from the background design. All of his contours were in the background all I did was draw around the shape. And I mean even the eyes and ears. I didn’t have to do anything but add the detail to the eye and his little nose. Even the eye was already looking upwards. The fact that he reminds me of our dog is a wonderful surprise.

To think that this all developed from a major mess when trying to create a floral pattern using watercolor just astounds me.

 

 

Continued progress…

I am working on my girl, slowly but surely. After my last post, I added color for her hair. This took a couple layers of watercolor. I wanted to use a different color from the color palette I have used so far, so I chose yellows and orange with a bit of brown and black for shading. I used similar colors for her eyebrows but chose to make them a bit darker.

After adding the hair, I felt I needed to add something else.

The first thing I did was take out my Prisma Colored pencils and add some more shading to her face and a bit of blush to her cheeks. I softened her chin more.

With the puppy looking up, I needed to add something for him to be looking at. I like using napkins for collage and I had some with flowers, butterflies and birds, so I decided to get them out and see what would go well. I chose the hummingbird and a flower. They were in similar colors to what I had used. I had forgotten to take apart the layers before using matte medium to adhere them to the surface but that was okay. I didn’t really want the background showing through them. Leaving the layers intact, the napkins were sturdier but also took a bit more to glue them down.  In some areas, I had to add matte medium between the layers because they were lifting a bit.

Once the collage was dry, I used colored pencils to add some color to make the flower and bird pop out more. I also added some white ink from my Signo pen and some black ink from a Uni-ball Air pen. I attempted some eyelashes with the black pen but I’m not crazy about them. I need to practice more with creating eyelashes.

The more I work on her the more I see some of the things I would have changed if I noticed them before adding color that couldn’t be removed or changed. Her chin is definitely off center and one eye is higher than the other. I might be able to fix the eyebrow that is smaller and make it slightly larger.

I need to learn to look closer at the sketch to see if I can find these things before adding paint. Some paint can be adjusted but once more layers are added the harder it is to make any major changes.

Despite these little things, I am happy with how it is turning out. I want to do more with the background, just not sure what right now. Probably use some stencils to add some visual texture. This is where I can go really wrong if I’m not careful in choosing the right colors. I have overworked backgrounds before by doing too much to them and I don’t want to do that with this one.

 

The completion, a new beginning and hope for a new connection…

My focus comes and goes in regards to my art. It is just about 5 days short of a month since my last post and I haven’t felt like I accomplished anything even though that isn’t really true.  It is difficult to remain focused when it feels like the world around me is falling apart. This is what prompted my latest art journal spread. I wrote a bit about it in my previous post when I started it and it has taken me almost a month to complete it. Here is the completed spread:

The flowers are a collage of flowers from napkins. I added a bit of white acrylic paint for highlights on them and her hair and face. I added more layers to her face to create more depth. Most of it is watercolor, some of it is mixed with white acrylic paint. I didn’t make any notes on the process and because of the frame of mind I’ve been in over the past month, I don’t remember the different steps I took.

On a previous spread, I had tried to work with watercolors similar to CeeCee in her videos but it came out just looking splotchy. I let it sit while I worked on the above spread and returned to it after it was completed.

To try and create a background on which I could work on because the current background was too bold, I used white acrylic paint with a really wet brush and brushed it over the watercolor. In the image on the left, you can get an idea of what the background looked like after it dried and the sketch I did on one side of the spread.

The next image is of the whole spread, after I started adding color. I started with the Elegant Writer pen and using a water brush to blend it out to create some shadow. I wasn’t happy with it so I decided to try watercolor. I am often surprised how well watercolor (Prang) works over the white acrylic paint that is painted over a watercolor layer. Because I use a really wet brush with acrylic paint, the watercolor layer reactivates a bit, so what happens is the watercolor mixes a bit with the acrylic paint. The acrylic paint I use is a really cheap white paint from the dollar store. Maybe that is why using watercolor on top of it after it is dry, works so well. The water and watercolor doesn’t bead up when applying over the dried layer. I really love that it works that way. I know people say that using watercolor on top of dried acrylic doesn’t work very well and maybe a layer of watercolor ground would be needed but not in this case.

The puppy on the right side appeared to me from the shapes in the background. I drew the outline of the puppy first before sketching a face. I make decisions as I go, so at this point, I have no idea where this will go, other than I’ll probably continue to use the same process of Elegant Writer and then watercolor mostly so it will appear cohesive. I am leaning towards using the same colors throughout but we’ll see what happens.

The below image is something I am working on periodically. It started with spraying the page with watered down acrylic paint and Tulip Fabric Dye. Some of my spray bottles are slightly clogged which creates the larger splatters. Once it was dry, I used my compass with a pencil and drew overlapping circles. I am currently coloring in the shapes using Prisma Premier Colored pencils. Other than selecting the colors to use in a shape, the choice of shape to use the colors in, is fairly random. Where this will go from here is anyone’s guess.

To elaborate a bit on what I wrote about in the first paragraph, I’ll mention a bit about my life. Right now it feels like it is in shambles if I’m given any time at all where I can sit still to reflect upon my life. Being laid off work over two years ago is still affecting me. It has been extremely difficult to find a job that will pay enough to pay my bills without having to pull from my retirement money. This leaves me frightened as to what will happen when that money runs out. Focusing on art is difficult at best with this always hovering over me.

Sometimes, life has a way of reminding us of things we need to pay attention to. In my job search, I remembered the saying that goes something like this which is credited to Albert Einstein “The definition of insanity is doing the same thing over and over again, but expecting different results”. When I remembered this, I realized that is what I was doing in my job hunting. With that in mind, I started taking a bookkeeping course so I could add it to my resume and hopefully provide some credentials which will come to someone’s notice when applying for jobs. I hoped too that doing this on my own would show a future employer of my willingness to expand my skills and I have the initiative to do so on my own.

I am about half way through the bookkeeping course and have enjoyed every minute of it. In fact, I was running so high on the enjoyment and excitement of doing something that quite frankly excited my brain cells that at the half way point when I decided to give myself a couple days off, I dropped so suddenly, it was hard to recover. Now I’m taking it at a much better pace while still enjoying what I’m learning.

The hardest thing for me to do is to find enjoyment in life when I have pressing concerns weighing me down. I find it very difficult to focus on my art when I am in such a state of mind. I have read some people say how art helps them through times like this. I think it does for me as well, at least when I am able to set my concerns aside and let myself sink into my art. I’m working on trying to find ways to do that more often. I know it would help tremendously if I were able to find that one job which would provide not just the financial relief I need but also create a connection which would bring meaning back into my life. I applied for one job which I hope will do just that because it would help me support alternative learning for those who want a better way of life. What could be more meaningful than that for someone who loves learning and sharing what they learn?

 

My life and my art…

It has been 23 days since I last posted. My life has been a sort of mish-mash of things but mostly distracted with the efforts taken for the inevitable job search. It is a never ending roller-coaster ride. I won’t go into the details of the emotional pitfalls one can experience. I’ll just say that it has had an effect on my focus to create. I didn’t feel I had anything to write about until I at least finished one of the things I was working on.

Since my last post where I displayed my progress on my alternative to “The Compassionate Bear” bonus lesson from Life Book 2018 with Tamara Laporte, I have been making slow progress until I finally finished it today. Here are some closeups of the piece before the final step.

 

This is a full picture after the final step of writing the words on the page.

I don’t have any pictures showing the progress as I created it. This is where my job search sort of took me. All I wanted to do was sit down and work on something and not worry about anything else. I do have the one picture from my last post.

It shows the inked in design with the start of some colored pencil. My previous post, describes the process I used to create this piece. The only addition was in using a Uni-ball AIR pen to add the writing.

I like the way colored pencil goes over watercolor. I don’t like how long it takes me to do a piece when I decide to add a lot of color with colored pencil. I started this back in the last half of February and only completed it today. It may have taken in total a few days over a month to complete. That is pretty long for me but not unusual when I work in colored pencil. Maybe some day I’ll find an alternative. If not, then I’ll consider it a lesson in patience to have the results I seek.

Another reason it took me so long was because I also started another project. This is one of those art journal pages where it starts out by dumping your brain onto the page first and then creating art over it. This dumping of my brain was about feeling frustrated over not being able to create the life I want or feel I need or deserve in this life. Having worked hard for over 30 years and being laid off, not being able to find a job that pays enough and slowly using up all the funds I had put aside for when I could retire is really, really hard on so many levels. I could probably use up an entire art journal dumping everything I feel inside and covering it up by creating artwork like this over the top of it.

Sometime I’ll add words to the page, words of encouragement or something. This page went through several steps before it got to this point. The first, as I stated, was dumping my thoughts onto the page. I wrote my thoughts using inktense pencils in various colors. Once I completed dumping it all out onto the page, I used water to activate the intense pencil. While it was still wet I added white acrylic paint so it mixed in with the inktense, then let it dry.

I didn’t write down all the steps I took so at this point it becomes a bit blurry as to the order of what I did. I think I got it right. I took some white tissue paper I had used for gelli printing, tore them into pieces used them for collage on the page. After it dried, I drew the girl on with pencil and used black acrylic paint to add in the shading to create her features. I used various shades of yellow, brown, orange and white to create her hair. For the background, I added several colors of acrylic paint, blending with fingers and/or brush and again let it dry. Using spackle, since I don’t have texture paste, through two different stencils created some nice texture. Then I let it dry thoroughly. Golden fluid acrylic paint mixed with glazing medium applied with a wet brush then wiped or blotted off with a baby wipe created the pink color with the background peeking through. This all had a very matte finish, almost chalky feel to it due to most of the acrylic paint being cheap Craft Smart paint. I put down a layer of gloss medium and varnish and let it dry overnight. One of the reasons I did this was so I could do the next step.

For the final layer I used Faber-Castell PITT artist pens to add color to her eyes and lips and using my finger to blend created some shading around her hair and her body to help pop her a bit off the page as well as give some subtle blending to the shadows.

I chose the circular pattern stencil for the texture in the background in hopes it would give the illusion of her trying to conjure a world of her choosing. I think it works well. In saying this I think I came up with the words I will add later, “Make your life, your own.”

I worked on these two pages off and on, going back and forth between each one when I didn’t know what to do next or needed a break from colored pencils, or something needed time to dry.

I used to think that maybe creating whimsical faces wasn’t for me but I’m rethinking that now. Abstract, whimsical, life like or whatever have their place.  I’m tired of feeling like I’m fighting for every tiny step I take, whether that is in my art, in finding a job, or just doing everyday things in this life. Is it my imagination or does life get exceedingly harder the older you get?

I know doing artwork is supposed to be fun and for the most part I do get lost in it and enjoy it. Both of these pages though had moments which I didn’t enjoy so much. I think this is reflective of my life right now. I’m struggling with things which I think I shouldn’t have to struggle with and not sure why that is. Am I overthinking things? Am I trying to fight against the natural flow or direction I should be going in? When I look in the direction I am headed if I just let go, my anxiety skyrockets. Then I find myself freezing, locking myself in place to try and prevent it, whatever “it” is. But if I don’t move then nothing will happen and what results I foresee could be even worse.

I’m trying to understand this. I wonder why I feel my only hope is for a miracle and what or how did I learn to hope on miracles at all? If you were raised similar to the way I was, where you watched Disney movies and went to church every Sunday, the premise for these are this, a knight in shining armor or a prince will rescue you from your terrible life, or pray and your prayers will be answered. Then we were also taught work hard for what you want and you’ll be able to achieve it. All of these things I learned, relied upon and trusted in were blown into smithereens over the last few years. Granted the knight or prince was a falsehood anyway. Prayers are never answered in the way we would like them to be. But working hard should not be rewarded with being thrown out on the street.

I wanted this blog to be all about my artwork. I wanted to leave the rest of my personal life out of this blog. I’m finding it harder and harder to do that. The reason for that is if I embrace being an artist completely then my work as an artist is comprised of my entire life. Every artist has a period in their life where they struggle not just with their art but with various areas of their life. It is inevitable. Everyone’s struggle is different and appears in their art in different ways. They may never mention it or you may never really understand why their art might pull on your emotional strings but trust that when it does, it is because something they felt ended up in the piece and resonates with you.

My art isn’t just the paintings or drawings I do. My art is also writing. This means I can’t post my artwork without writing about it. Writing about it means exposing my life. So this blog will never be just about the paintings or drawings I create. It is about the life I create and how it bleeds into my writing and into my paintings and drawings.

I am in constant conflict within myself. I’m told we have two hemispheres in our brain and each hemisphere performs a different function. The left, controls the right side of our body and has to do with logic. The right, controls the left side of the our body and has to do with creativity and arts. When I take tests to determine which hemisphere is dominant, the results are almost always equal. If not equal, then the left is dominant but only by a degree or two. There are exercises to help people bring balance between the two hemispheres. I have never done them. I don’t need to. The conflict I feel ends up in a battle between my logical side and my creative side especially if they don’t agree.

There are people who probably can tell when they read what I write that I often use writing to help me resolve the conflict which occurs between my logical and creative sides. Writing about it helps me to slow down, not just so I can allow logic to take over but also so I can focus on how I feel, hopefully recognizing it for what it is trying to tell me. This is why interviews are difficult for me. It isn’t that I can’t think on the fly. It is that my thoughts flow too quickly sometimes too fast to grasp. On top of that, I often see several sides at once and without thorough examination it can be difficult to know which to focus upon.

I love writing. I love using writing and research to help me make decisions. These two together are probably my most valuable asset. If I don’t understand something, I research it. If I don’t have enough details about something, I research it. If I’m conflicted, I write about it. I journal a lot, almost every day.

One of the hardest things I’m coming to grips with right now is how to marry my creativity with my logic. I’ve been told I’m too logical by people who haven’t seen my creativity. When I heard this from people I would think being logical was bad and that I wasn’t creative at all. Over the past few months when considering these two, what seems like opposing forces, logic and creativity, I realized something. Behind the outwardly appearance of being logical there is creativity which helps me to sort through the logic and determine what is the best path or decision to make. Using creativity along with my logic, I’m able to view various elements which others, who only depend upon logic, might not see.

This is why I find joy in almost all forms of artwork whether it is abstract, mandalas, whimsical or life like. I can take the randomness of abstract and in its later stages bring in order from the chaos. In creating mandala, I’m able to start with an orderly progression and incorporate random elements later or not at all. In whimsical, I can add anything from abstract to logical forms and be totally random. Realistic is more of a challenge. I didn’t understand why until I was writing about this right now in my blog. Realism requires the logical side of my brain to be creative, if that is even possible or makes any sense. Logic deems that if I’m drawing a realistic portrait that the eyes have to look as near as possible like the eyes of the person I’m drawing. A shadow has to fall just as I see it on the person or the picture used for reference and so on. My creative side wants my logical side to stop being so precise and just enjoy what I’m doing. If I allow that to happen, I find what I create is far better than if I don’t.

Marrying creativity and logic is possible. It can be a struggle if we fight against it. It can cause us to sabotage whatever we are working towards. I no longer believe that one has to be more dominant than the other, or one has to exist and the other not. We are all creative. We are also all logical. We use logic with creativity and creativity with logic. There really is no separating the two. As much as some people think I’m too logical, they obviously don’t understand the working of my brain. I may present myself logically but it took creativity to get me there.

 

 

 

Clues

I try to take clues from my surroundings. This isn’t always as easy as it sounds. In fact, it can be quite difficult. No matter what, everything that occurs in our mental space is colored by our experiences in life and we don’t often realize just how much our perception is manipulated by past experiences. Everything we see, everything we take in, is first filtered by our mental space. In order to perceive anything, our mind, our mental space must first process it. This includes our emotions. We feel but in order to know what we feel, we must first let our mind process those feelings.

I didn’t understand how true this was until this morning waking from a dream. A dream I so very much wanted to return to. It wasn’t an easy dream. In fact, it was colored with many difficult emotions. You might wonder why I would want to return to it. Who would want to purposefully return to experiencing difficult emotions. It was because there was truth in those emotions that in real life I avoided or refused to see.

This happens in my art too.

That is difficult for me to admit to but necessary. I’ve been struggling with my art lately. Struggling in the way of not knowing what I wanted to create. Taking classes is fine. The classes help me to try out different techniques. They help me decide if it is a technique I enjoy doing or not enjoy doing. That isn’t what I’m struggling with. What I’m struggling with is, what am I inspired to create?

I face this question every time I sit down to create something on my own without following a lesson. I think I fight against what I’m pulled towards. For some reason I have this mental block and if what I create isn’t unique in some way and yet still contain the elements I’m learning in class, then it isn’t art. I’m not sure I’m explaining that very well so I’ll try explaining a different way by maybe stepping through my mental process.

First, I’m doing lessons from Life Book 2018, sometimes I go back to my 2017 lessons for Life Book 2017 and Book of Days 2017 and do some classes there which I haven’t done yet, but for the most part, I’ve been focusing on Life Book 2018. I say this because when I approach a blank page to do my own ‘thing’, these lessons are foremost in my thoughts. Should I start my page by drawing a girl’s face? Should I just throw some paint on and try something abstract like I did a week or more ago? If I do either one of these how can I make it different, make it my own? At this point I get lost because I’m not sure what makes my art my own. I’m not sure what my own style is. I sometimes think about the art I did for Inktober 2017 when I focused on faces and loved the dark graphic nature of them with stark black and white. Could I incorporate that? Then I become even more lost because I honestly have problems trying to let go and just try things, just play with my mediums and tools.

Then I start wondering, are faces really my ‘thing’?  I made faces something I wanted to focus on because I wanted to get better at creating them. I would love to be able to look at a photograph or a real person and be able to draw them accurately. This goes back to my high school days of feeling like I could only do realism because I could never draw anything from my imagination. I had to draw something from a reference. I’m not saying that is bad. I’m just saying I was envious of those people who could sit down to a blank sheet of paper and sketch something from their mind without any reference and make it recognizable. I still feel envious of them.

However, I have since learned, that once I learn the elements needed to create something, then it isn’t too difficult to draw it from memory. For instance, after watching videos on how to develop proper proportions when drawing a face and how to draw each of the parts, like eyes, nose and mouth, I can now draw a face without a reference. Getting a face to look like a reference photo is still difficult but I believe this will improve with practice. This however isn’t what I am setting out to do when I look at a blank art journal page. This isn’t practice. This is me wanting to create something which I hope will turn out beautiful or at least something I will like and yet have some sort of meaning to me.

I have tried different things to help me decide on a focal image for a page. I’ve tried collage, where I find something from my week or some period in my life to put down on the page. Doing this helped me realize I’m not into documenting my life that way or into that type of collage.

I have tried just throwing down paint without anything in mind just to see where it will go. Most times they come out dark, or muddy, probably because I don’t reference a color wheel. Sometimes the paints I choose don’t go down the way I thought they would on the paper I use. Doing this does help me to learn what works or doesn’t work on the paper I’m using. When they are too dark, or too muddy, I tend to be unhappy with the process and tend to abandon it for a while instead of trying it again. That was before I realized I need to be more aware of the choice of colors or letting colors dry between layers so they don’t create mud. But again, this method can work for backgrounds but doesn’t help me with a focal point for my page.

I’ve asked myself at times what do I want represented in my page? Most times my mind is blank and my emotions are confused when I ask this question. I’ve asked myself why can’t I think of something in response to this question? I’m not sure. When I reach what seems to be an impasse, I start to question my ability to be creative. Maybe I’m not creative. Maybe I have no imagination. I can’t seem to think of even simple things to create and put on the page. This isn’t just for the focal image but sometimes for doodles.

To try and get past this impasse, I might sit down with the thought of just doodling. I used to sit in office meetings and watch a woman doodle on her note taking paper. I was envious of her ability to just turn the ink in her pen into such interesting designs on a scrap piece of paper. I’ve never been one to just doodle. So…. I then think about selecting some tangle patterns and doing some Zentangle inspired art. The step-by-step tangle patterns is what helped me get back into creating art.

Tangle patterns, following the step-by-step instructions, appeals to my mathematical, or logical mind. However, randomly putting them into a design which is begun by creating a string in a given space, results more often than not into a pattern of chaos which my logical mind rejects. Even my creative mind has problems enjoying the randomness of it. My artist mind prefers patterns that form a cohesive pattern.

After exploring tangles, I moved on to learning how to create mandalas. I watched video after video, especially on how to create the grid that enables the creator to be more symmetrical when creating a mandala. I also learned how to draw a mandala from seed. I will be honest. I prefer using a ruler, compass and protractor. The mandala appeals to me so much that I return to it again and again and especially when I don’t know what to do or need a change from the lessons I’m working on. I like the preciseness of using ruler, compass and protractor. And… geometric shapes… yum.

Let me explain, why I’m writing all of this. I could just write this in my personal journal. It would do the same for me. Actually that might not be true. In my personal journal I’m writing to myself, in a blog I’m writing to other people. I want to make it understandable for other people when they read it. There is a completely different thought process here or when writing an email to someone than in my personal journal.  So there is a reason behind writing here instead of in my journal, plus I thought maybe revealing my thought process would help a developing artist to know they aren’t alone if they struggle with something similar. Writing helps me to figure things out. It also helps me to get it out of the forever cycle that goes on inside of my head.  Writing this has also helped me to realize I could possibly be fighting against my natural creative process.

These things have been on my mind this year. They are compounded with the fact that I have a tendency towards seeking perfectionism. I am learning ways to let go of that but the tendency towards perfectionism can kill or undermine that ability to play and have fun. Playing and having fun are difficult for me and not solely because of my need for perfectionism. They were trampled down when I was a child. Playing, having fun was something discouraged. I have to reach deep in order to overcome what I was taught as a child. I’m trying to find simple ways to do that right now and teach myself to explore and play with my art supplies. This is the result of one of those sessions, now that I think about it, I think I need to set this up as maybe a weekly practice, to do just one thing that is purely of this nature:

I first drew the mandala with pencil. I used Sakura Pigma Micron pen over the pencil lines I wanted to keep permanently. Then I erased the pencil. I then used my Elegant Writer to create darker lines and used a wet brush to make it bleed to create some shadows. The paper in my journal is not meant for wet medium. It is meant for drawing or writing, so using anything wet on it means the paper will buckle and I could risk it disintegrating, so I went light with the water and let the page dry before using anything wet again.

For the next layer, after the page was dry, I chose Inktense pencils, again activating them with my water brush and being careful to not use too much water. On this paper some of the Inktense didn’t blend or move very well. You can see this on the red Inktense on the background. They were dull and blotchy for the most part. I let this layer dry.

I needed to define the shapes more. I had become rather sloppy on the activation of the Inktense, so I wanted to firm up some of the lines while also trying to get the colors more vibrant. I remembered that my Inkjoy pens would bleed when I did my water test on them so I decided to make this flaw into an advantage. For each of the different areas I chose an Inkjoy pen color that would be closest to the color or complement it somehow.

For the yellow on the outside ring, I chose brown, and used a bit of water to make it bleed into the yellow. For the yellow on the inner pointed star shapes or triangular shapes I used a yellow green and again a bit of water. Blending the Inkjoys with water works WONDERFUL! I loved the effect and did it on the other areas, blending most of them with water. I did it in a way to leave the area along the line darker so it would have a gradient look. The last thing I did with the Inkjoys and water was to use orange around the outside of the mandala. This gave it a wonderful glowing appearance. I let this layer dry.

I wanted to add embellishments so using my Inkjoys again but without adding any water. I added in the green solid lines inside the star shape mimicking the pattern around by creating two thin lines and then a thicker line. I added some dots and then the yellow, orange and red sun patterns. Then I used a Tombow black marker to create the thicker and thinner black lines in the blue section around the outside of the mandala and considered it done.

I totally enjoyed just listening to what medium to use next while creating this mandala. If one didn’t work out the way I had hoped, then finding another medium that would enhance it or improve upon it worked well. Once I added the orange glow around the outside, I decided to leave the red alone. I like the random look of the red in the background. I used mediums together I never would have thought of if I hadn’t sat down to just ‘play’ and see what happens. I can’t say I was really free from worry or free from caring about whether it ended up badly, I just let myself accept that it might not turn out ‘perfect’ and see where that would take me.

I need to admit to myself that I try to force myself away from creating mandalas. That I think they aren’t worthwhile focal images. I look at the classes and see the artists/teachers drawing faces and I think I HAVE to draw a face. I see them putting words into abstract backgrounds and I think I HAVE to add words too.

I am wondering right now as I write this, what I would have created for my garden fairy if I had allowed myself to replace the idea of a fairy being a person or an image of a face, or an image of an elf and so on. Could I have created my page for this class using a mandala as the central focal point? Can I do this as well for the compassionate bear bonus lesson? Have I been fighting against my personal growth as an artist by avoiding what I am drawn towards creating?

When I created this page, the part that I loved best was when I added the spirals from stamps I had created and used the spiral stencil with the molding paste. AKA, mandalas.

Don’t get me wrong, I do not want to stop creating art with faces or other elements, I just need to find a way to use mandalas as a focal image if that is what I am called to do. Just because the instructor in a lesson is creating a whimsical girl, doesn’t mean I HAVE to do the same. Especially with the techniques Tam is teaching in Life Book and some of the other instructors are teaching. Life Book does include learning techniques and yes, learning how to create faces and other elements but mostly it is about using your art to process and let go or bring forward those things in life which you need to do something about.

I created a sketch of my compassionate bear from Tam’s bonus lesson for week 2 of Life Book 2018.

He’s cute. I like him. However… the question kept coming up in my thoughts, “Is this really what I want?” I thought about creating my dragon which hasn’t been easy to do. I don’t want to copy someone else’s design, and I don’t know how to create a whimsical character of a dragon. I’m working on it though. It will take some time and practice drawing in my sketch book before I’m ready to put it on watercolor paper to paint. In the meantime, I’ll paint my bear. I expect there will be changes to him before I do paint him. I’m not a heart type of girl, though I understand the symbolism of hearts and at times they do work with what I’m creating, just not sure I like it on my bear.

I am finding life interesting since I decided to honor my inner artist. Working and questioning my choices while using art to do so seems to ground me more. Art seems to invade all aspects of my life and my dreams which is nice.

Just the past couple days at work, I had thoughts that I should get into product package design because of the issues I see at work. I am exposed to thousands of products every day and often find issues that could be simply addressed.

For instance, certain cheese packaging has the barcode located where if the package shifts just a bit makes it impossible to scan. Packaging around individual mandarins makes it impossible to see the code because it is has an orange background around the code which is in clear packaging that lies over the orange of the mandarin. The code is impossible to see. Just a slight change in the coloring of the orange in the packaging would make the code stand out so the cashier can read it easily. There is a pet food package which puts the barcode at the top of the package. The default position for a package when a customer puts it on the belt is to stand it on its bottom and the cashier will normally just slide the package across the scanner in that position. With the barcode on the bottom or low on the side there is no need for the cashier to have to adjust the position of the package. With it on the top, it doesn’t scan the first time so the cashier tries again or has to look for where the barcode is and alter the position of the product. This might not sound like much of an issue but when a customer has over thirty or more products it interrupts the flow the cashier has for scanning products and getting the customer through the till in a timely manner.

These are things my artist eye catches and the new retailer employee in me would love to have changed. More often than not, it is obvious, those designing the product packaging have no idea the issues it causes cashiers. For large retailers, seconds to adjust packaging or to search for barcodes can cause delays and create lines at the till.

Before I got into retail, my understanding of how artists can make money was very limited. Now that I’m in retail and creating my own art, I see art everywhere. Any business that designs product packaging should have access to or hire an employee who has worked as a cashier. A cashier is intimately knowledgeable of the issues they face when scanning products or looking for the codes on products that need to be manually entered. I say this from personal knowledge. As an artist and a cashier, it is easy for me to imagine what small changes could be made to product packaging to make it easier for a cashier and I can visualize doing so with limited changes to the product.

I could not imagine sitting down as an artist and designing product packaging from scratch. I don’t have the skills in the various tools an artist would need to do that. But as a cashier and an artist it is easy to look at the package of a product and immediately visualize any issues the design could create for the retailer.

I know I’ve gone off on a rant but I think the rant was good. Though I subconsciously knew that artists had to be involved in packaging, it was something I didn’t think about. I knew they were in advertisement and usually companies dubbed it as marketing/advertisement and I just didn’t think about it in terms of product packaging. You see business logos and advertisements on signs and in commercials which just naturally overlaps with the product packaging. I’ve spent so much time lately on Facebook and reading blogs and other things about artists not able to sell their artwork that I didn’t think about how many artists there are in the world working in the background for all the various businesses. We aren’t all sitting at home in our own little studios creating our personal art. There are a huge number of us creating art for all the world to see to help businesses promote their services and/or their products.

I don’t know about anyone else but seeing it in this way shines a new light on the world as an artist. They are clues left by other artists letting us know, all things are possible if we just believe in ourselves.

Thanks for stopping by and reading. As an artist or someone recently creating art, what do you notice more of in the world that you didn’t see prior to creating art?

 

 

 

 

 

I can’t stop…

I’ve been working on my drawing for Life Book 2018 week one “Garden Fairy” lesson with Tamara Laporte. I wanted to go in my own direction with this which is why I’m taking my time. I am so in love with my first sketch I wasn’t sure if I wanted to paint it. This is my first sketch, which was done on watercolor paper.

If you read my previous post you would know I was working on trying to draw the dragon. I couldn’t get the body right so I chose to have him leaning over her shoulder. When I added his scales is when I finally connected with him. As I drew the girl, she just seemed to call out for elfin ears.

The above picture shows how I roughly sketched in flowers but they didn’t feel right to me. This lesson is about considering what we want to leave behind and what we want to bring forward with us. Taking this into consideration I knew I needed to change the flowers, so I worked more on my drawing.

I love drawing mandalas. Therefore, I want to continue bringing mandalas into my artwork so I erased the flowers and added a mandala. I have plans for the center of my mandala.

Tulips are my favorite flower. Last year, I saved some bulbs when some work was being done which caused several bulbs to be dug up. The person doing the work in our complex didn’t seem to care and left them all lying exposed so I gathered them up and replanted them. I wanted to honor this and it felt right to include a couple tulips in my sketch.

This is where I stopped while I considered what I wanted to do. Since my sketch was drawn on watercolor paper, I didn’t want to waste it with a graphite drawing so I decided to see if I could recreate it on a lighter weight mixed media paper. The next picture is my attempt to do just that.

She isn’t exactly like my first drawing. She is close enough and I think she came out rather well. I’ll work on her some more later. For now, this is where I stopped with my second drawing.

I can’t stop drawing her. I pulled out my sketchbook where I was working out the drawing of my dragon and drew another sketch of her. This time with a worried or concerned look on her face. I’m trying to learn different facial expressions and since I seemed to be obsessed with drawing her it made sense to try a different expression.

Then I took out my other journal where I not only draw but also write. A few days prior, I had put down some backgrounds using acrylic paint, mostly just using a card or palette knife to scrape the paint around. I had no idea what I would put on these backgrounds. In my previous post, I wrote about the first background I worked on where I created a mandala. 

On another page, I tried creating a mandala using the dot technique with paint but that didn’t come out so well. I wasn’t going to show it here but after thinking about it, I decided to show it. First, because I wouldn’t be authentic as an artist to just show the “good” stuff. If someone reading this is struggling with their art, they should see that we all struggle and have moments where what we work on doesn’t come out the way we want it to or even passably good. And, that is OKAY. So here it is, including my thoughts I had put on the page.

I might get better with practice, and maybe this would have looked better with a black background which is what I have seen in all the dot techniques used to create mandalas or other dot artwork. Creating dots is harder than it looks. I used different sized brush handles. Even so, one has to remember that with each dot created if you don’t replenish the paint between each dot the subsequent dot will be smaller. If you don’t use the same “pressure” the dots can be different sizes. I didn’t expect perfection and knew this would take some practice. I also learned that maybe I should also create guidelines, at least in the beginning until I become better at it. For now, this isn’t something I want to pursue, even with this small sampling I realized I just don’t enjoy making dot after dot after dot, which might be why I’m not a fan of stippling, though I do use it occasionally.

A day or so ago, I drew another one of my elfin girls on the third page. I drew her in pencil first, and then I went over the pencil with an Elegant Writer pen meant for calligraphy. In my testing of my pens to see if they would bleed when wet, I found I loved the effect when the ink from this pen became wet. I wanted to play around with this. Here is the results. I added a bit of white to her eyes and for highlights but other than that, the shading is from using a small wet brush to make the ink from the Elegant Writer bleed. I ABSOLUTELY LOVE HOW THIS TURNED OUT, so much so, I felt the need to write about it which is what brought me to writing this post.

In regards to my previous drawings. I will eventually paint the first drawing that is on watercolor paper. The second that is on mixed media paper I plan to complete in graphite. I have a feeling I’m not done with drawing my elfin girl and expect she will turn up again and again. But… most of all, I have a love of INK and want to play more with it.

Other thoughts:

It may seem strange for me to still be working on week one of Life Book 2018. I see some people doing the lessons as soon as they are released. I started that way for Life Book 2017 which was fine if all I wanted to do was copy the lesson as close as I could with what was being taught. This worked well for the first half of the year. Starting a new job set me back a bit but I also realized, though I was learning by doing the lessons as they were taught, I needed to explore more on my own.

Copying exactly as a teacher instructs doesn’t allow for experimentation. It also doesn’t allow much for failures from making my own choices therefore I don’t learn what works and what doesn’t work. I don’t want to be copying a teacher’s styles and techniques my whole life so I need to learn what works or doesn’t work for me.

When I first considered Life Book as a course of instruction, I did so because I wanted to use art as a way to help me. It is hard to look at one’s life, thoughts and emotions and feel like one is out of control or felt as though they had wasted the majority of their life. I had so many feelings, not just about my past but what had transpired in the past few years, that I needed to find a way to process it all.

Most people who felt as I do or had gone through similar experiences would probably see a therapist. Believe me I considered it. However, when I was diagnosed with cancer and started the process of fighting it and recovery, I decided to see a therapist. I took my daughter with me for I felt she would benefit as well. This whole situation was terrifying to her. At no time during that session did I feel like this person would be able to help me or my daughter. I wasn’t expecting miracles in just one session but I did expect some effort on this person’s part to help us or to just give us an indication of how they might be able to help. In the end, the only thing we walked out with was the understanding that I was already doing what I needed to do. With this in mind I started looking into art as a way to help me do it even better. This is when I discovered Life Book.

I haven’t stopped with just Life Book. I look at other courses as well. I look at them to give me one of two things. Either they will help me learn how to art journal in a way which will help me work through my emotional journey, or they will help me increase my skills and gain further knowledge in various art techniques. The wonderful thing about Life Book is it does both and introduces me to a lot of wonderful teachers.

Last year, because my main focus was on just copying the art as close to exacting as I could, I didn’t learn as much as I had hoped to in the area of processing my emotions when working on my page. What I was processing was only the technical aspects of the techniques being taught. I wanted to change that. I didn’t want to do art, just to do art, I wanted to find ways to have my art and my emotions come together and express themselves on the page.

In consideration of this, I decided to chose a word for the year. I had never done this before. I decided to do this to see if it helped bring focus into my life and help provide direction. For 2018, I chose balance as my word for this year to try and bring more of a balance between the emotional art journey and the technical art journey. It also has the added benefit of helping me to focus on finding balance in all areas of my life.

Knowing this, I knew I couldn’t rush through my lessons. Let me explain something.

I have always wished I could think faster on my feet. Wishing it though has never resulted in it actually happening. Instead of wishing for it, I decided to understand myself better, which meant being honest with myself. I have no idea how people view me unless they tell me. During my life, I have had people tell me I am rather intelligent. While this might be true, I have to refrain from believing my inner critic when he/she tells me I’m not smart at all. After all, if I were smart I would think faster on my feet and be able to respond to people in the way I wish I could. That is if I would believe what my inner critic says.

I, however, have come to understand, First, I AM intelligent. Second, my intelligence demands that I take my time to consider what I know or don’t know, and sometimes if I need to know more, it requires research. Third, I am also not quick to understand my own emotions and sometimes it takes me a while to dig into them to understand what they are and what triggered them. Because of this, almost every situation I’m in, I am not quick to respond because my way of doing things is, first to understand what I am feeling, why I feel that way and to take time to think about it and not jump into quick conclusions or decisions. People wanting quick responses and quick answers get frustrated with me, and yes, I get the impression that they might think I’m dumb but this is because they do not know me and I don’t always think to say that I need to think about this before I answer. I will admit that sometimes I over think things, and sometimes it is difficult for people to understand why I need to think about something that should only require a simple answer.

There is no surprise that this is how I approach my own art. We are at the end of January and to know that week one has taken me four weeks and I’m still not complete isn’t a concern for me. In the past it might have been but that would have been before I took the time to do my own self-analysis to understand why I do things as I do or why I react to things as I do and so forth. Doing my own self-analysis doesn’t mean I am always right. In fact, there are times when I need to re-evaluate because something doesn’t add up to what I had previous thought about myself. There isn’t anything wrong with that and I am sure therapists are having to do this all the time with their clients. There is just no way someone can know everything there is to know about another person and besides, we humans whether we want to admit it or not, are changing all the time. I will be the first to admit that this is even true for myself.

I have no doubt there would be a lot of people who would argue this point. Their egos would want them to believe they know themselves implicitly. I love the part in The Matrix where Neo is told “Know thyself”. On one hand we already know everything there is to know about ourselves while on the other hand, we know absolutely nothing about who we really are.  Neo walks out of the room, so confused, believing he isn’t what people believe him to be. He doesn’t believe in himself. He doesn’t believe it until circumstances put him into a position where he has to reach inside of himself to be what he needs to be, proving to him that he has always had it inside of himself to be whatever he needs to be.

This is true for all of us. Sometimes what we need to be isn’t at all what we think we should be. It is no different for me in my art. I think my art should be realistic, not whimsical or even be mandalas. If someone had asked me back in high school what kind of artist I would be, I would have said my art would be ‘realism’. I had never heard of mandalas or at least I don’t remember hearing about them back then so I would not have even considered myself to be a mandala artist. And yet, that is what I have become. I also lean more towards whimsical at this stage which I would never have thought possible because back in high school I had trouble drawing anything from my imagination.

Why am I writing about all of this? First, because I need to explore the depths of these things for myself and writing is how I do that. Second, because this is just an example of how my mind works and why I am not quick on rebuttals or responses in various situations. I have to THINK about whatever it is that requires my response. My thought processes are not short. They can be long and involved and writing helps me to work my way through my thought processes.

I use the same process for my artwork. Consequently, I don’t expect immediate answers or results. I don’t sit down and immediately make decisions on what I’m going to create and then create it. Oh sometimes I do but most times like the Garden Fairy, I need to go through this process.

I knew when I first watched Tam’s Garden Fairy lesson that I would draw a female face but I knew it wouldn’t be a copy of the face she drew. I knew from my meditation that my animal would be a dragon. But that is all I knew. It took a while of thinking about my dragon to understand I didn’t want to copy a dragon I found online. To draw him took research of looking at various pictures then setting them aside to start sketching on my own and only referring to pictures once in a while to get shape and form properly in perspective. It took more contemplation on what I wanted to represent my garden.

The third reason I write about all of this is hopefully so other artists who are new to exploring their own abilities learn that there isn’t anything wrong with taking their time to complete a lesson. The wonderful thing about online classes, especially ones where you can download them or have lifetime access to them is this, you can do them in your own time, at your own speed and repeat them as often as you like AND do them in whatever form you want to do them in. Classroom instruction doesn’t give you this flexibility, nor do the online instructions which give you only a limited time access and no downloadable content. My advice especially for beginners is choose courses wisely and take advantage of YouTube’s free content.

I want to write about one other thing. I know this is getting long but after writing the above and having a break to go off and work and think about other things, I had this thought come to me. I don’t PHYSICALLY practice my artwork every day. I do THINK about my artwork EVERY day. If I’m not physically practicing, I am viewing other people’s artwork, reading about it or watching videos, or thinking about how I might go about doing some technique or trying different things. I might consider in my mind, what if, I do this, or what if, I do something else, or what if, I combine this and that. In my mind I’ll try and imagine what might be the result of doing that ‘what if’ and in some cases it might take me to my art table to see if what I imagined is in fact what happens. Most times though I’m thinking about sketching or painting, especially watercolor and how I blend, or push the paint around. In my mind, I’m creating a number of art pieces.

Here is where some people might consider me crazy, but it is a proven fact that athletes do improve from just meditating on running or doing whatever physical activity they want to do more than if they just practice it physically. I believe this is also true for artists. If it weren’t true then I could never explain how I improved in my portrait sketches after months of not physically doing any drawing and only thinking or using my imagination and creating sketches mentally. So don’t underestimate the power of the mind. If you don’t have the time to physically do the work, I bet you have plenty of mentally free time where you can do the work in your imagination. Waiting in lines at the grocery store for instance, or waiting in a doctor’s office when you don’t have a small travel pack of art materials to play around with. Or waiting in traffic. Or walking the dog. I could go on and on. My point here is I probably create more in my head than I do in physical substance and there isn’t anything wrong with that. In fact,  I believe it is key to learning and becoming a better artist. I just can’t stop…  I do it all the time, sometimes even in my sleep.

What do you think? Let me know. Or just write a comment to let me know you were here and read my post.

Art Practice, Work and…

I started writing this post last week. I’m not sure what happened. Something got in the way. Either it was my mental space or something else entirely. This is where I began last week:

I am finding it difficult to believe two weeks has passed since my last post. It isn’t easy trying to describe the past couple of weeks. I had to look at my calendar to remember what has consumed my life these past fourteen days. Out of the fourteen days, I worked eleven days. The last stretch was seven days long. On the last day, yesterday (16th), I was so looking forward to my time off the last hour and a half of work felt like three hours. My mind no longer wanted to think. Upon arriving home, I made myself and my daughter a cup of hot chocolate and sat down to let myself unwind and let my body and mind absorb the fact that I have two days off.

I have so many things I need to do and yet my mind bulks at wanting to do any of them because it would eat up my personal time for myself during these two days off. I decided to focus on one thing which means seeing my doctor for a prescription refill. This means half my day today will be spent driving to see my Naturopath for the refill and getting my daughter’s supplements evaluated and resupplied. Expenses which are no longer covered by insurance. Changes I have to learn to work into my new budget. Only time will tell how hard this hits.

The rest of the things I need to do will need to be addressed as time allows and as my finances allow. They will get done, one at a time, just maybe not as quickly as they would have been done in the past.  This seems to be the case for everything in my life these days.

This is also how my art journey is also progressing.  Although, in retrospect, as I looked back at the images I had to include since my last post, I had done more than I had first thought.

The image of the tulip is from Week 34 of Life Book 2017 “Be Bold” with Gwenn Seemel. This was way outside of my comfort zone. I generally prefer realism, using colors that are the colors in the real life object I am creating and using a solid application. To go outside of the natural colors is difficult for me and I had trouble doing the crosshatching technique the instructor did. I ended up just letting my strokes come naturally to me while varying slightly with the colors. I doubt I will use this technique again or very often.

This next piece is from Life Book 2018, Week 1, “Make Your Mark (Warm Up)” with Tamara Laporte. I felt much better about this one. The layering and colors I felt came out better than some of my past pieces even with the addition of collage. I created the symbol myself, loosely basing it off of the Ayurveda symbol of harmony and balance. I wanted to include my word for 2018 , balance, in this piece. I added the colors that closely represented the words balance, harmony and happiness. This is what I hope to bring about for 2018.

 

These next two images are works in progress. With my work schedule such as it was, I needed to work on something that would help center me and allow me to work on it in small pieces while I sat with my feet up, resting them from long hours of standing. Mandalas and Circles seem to help me to center myself. Working with tangles enables me to work in broken periods of time.

I also started adding color, whether it is an acrylic wash background, or a different color of ink, or using prisma colored pencils, it helps me to feel like I am allowing my inner artist the food and fuel she needs.

I have been slowly working on these over the past couple of weeks. I haven’t felt hurried to complete either one of them.

For this one, with the acrylic background, I used neon colors because they are more transparent than the regular acrylic colors. I added some patterns using a silicone pot holder that had a sort of honeycomb pattern to it and then overlayed a bit of white using a wet wipe to put it on thinner. This gave a more muted background for me to draw the mandala. Then added premier prisma color pencil. I may add some more color over time.

I have never studied mandalas and lately I am finding I have a deep desire to get into learning more about them. I have a couple books in mind to get and hope a class that went on last year will be made available again soon. I want to understand more about how they relate to our inner self and how they can teach us more about ourselves. I believe this extends back into Carl Jung’s teachings as well which I had delved into a few years ago. It is time for me to return to those studies.

Here is where I stopped and didn’t return to it until today (23rd).

Today, I find myself in an emotional state I very much dislike. This state is one where I feel almost constant anxiety and anything I haven’t done or need to get done and I’m not working on or seeing to, becomes a focus of my inner critic to berate me on what an awful person I am. I am in this place right now and feel powerless to do anything about it. I’ll explain something which may help to put some light onto this situation.

I’m in my late fifties. I’m completely menopausal. While going through Peri-menopause I discovered my lowered progesterone causes me acute anxiety and sometimes panic attacks. Things that normally don’t bother me on a day to day basis can become overwhelming during low progesterone periods which can become worse with stress (emotional or physical). My Naturopath recommends I take natural progesterone supplements and take them cyclic, meaning I go off of them about five days to try and mimic my body’s way of cycling hormones. When we first discovered I was definitely in Peri-menopause we decided to put me on a complete range of hormones. I had to go off of all those hormones except thyroid and progesterone due to my diagnosis of breast cancer, so I am trying to handle this by just using progesterone. When I was on the whole range of hormones I felt so much better but the doctors will only prescribe progesterone and thyroid now due to my cancer diagnosis. By the way, I know without a doubt that adding the full range of hormones didn’t cause my cancer, I had the lump before starting the hormone treatment.

Today is only day two of not taking my progesterone during the five day period.

I made that sentence separate to emphasize this fact. DAY TWO. This started happening recently where my emotions start plummeting severely within only a day or two of stopping my progesterone so much so that in at least one case I returned to taking my progesterone on the evening of day two because the anxiety and my emotional well-being just got too bad. I may do that tonight too. I absolutely hate feeling this way. That other time I saw an immediate change the next day so this is not my imagination. Today, I am trying something a bit different by trying a slightly lower dosage instead of going back completely at my full dose to see if that helps. In my studies I have learned that our hormones fluctuate in a cyclic manner. If they are working properly in our prime they do not deplete completely they just slowly cycle down and then cycle back up over a period of time and we always have some of all our hormones all the time.  For women this is generally related to our woman’s cycle. In Peri-menopuase and menopause our hormones can deplete so badly we may not have any for varying periods or at all. It is much harder for men because they don’t have the obvious signs like women do for their reproductive period in their lives to teach them what this cycle is.

What I hate about this most is how this effects my life and especially the creative aspect of my life. I can’t think straight. I often forget things and I rarely have control of my inner critic which means it might have full reign. When my inner critic has full reign then I often have difficulty working on anything new where my skills are lacking. For instance, I have been wanting to draw a dragon, which I have never done before. I don’t want to copy someone’s design of a dragon. I want to create my own design. Yesterday, when I finally picked up my pencil to work on it after having studied some drawings online, it took several tries. My attempts felt child-like. I sketched across four pages in my sketchbook, four different versions. Each try, I put my pencil down afterwards, sometimes after only drawing a circle for the head and walking away from it, sometimes for a few hours before returning to it. I can’t repeat what went on in my head during each of these attempts. A repeating theme though was about giving up, and I can’t do this.

When my inner critic gets involved it isn’t just words I hear. Sometimes I don’t hear words at all. I FEEL. I FEEL VERY STRONGLY. Those feelings sit heavy and hard like a rock in my chest and my head feels like it will explode. I can write about this now because I feel it as I write this. My inner critic tells me I’m getting too personal. I’m talking about things I shouldn’t be saying on this blog. That this blog is supposed to be to show my art, not to reveal my inner pain. But it doesn’t just say this, it makes me FEEL it. It doesn’t make me feel shame for feeling these things. It makes me feel shame for revealing them to those who will read this and it makes me afraid I’ll be laughed at or shunned or think less of for showing my weakness.

All these feelings are so much stronger today than they are when I’m on my progesterone. It doesn’t mean I don’t have them when I’m on my progesterone. It just means the progesterone helps me to put them into a more manageable place and lets me feel the GOOD feelings more than the BAD feelings.

Today, I want to hide away from the world. I don’t want to be around people. I hear the verbal criticisms I have received in my lifetime louder today when most days they are silent or just whispers. Today, I just want to wrap myself up in a warm blanket and turn up the TV so I can’t hear the words in my head and watch shows that will make me feel differently and better than I feel right now. Which means I have to choose the shows I watch wisely or they will just bring out the voices even louder and the feelings even stronger. The same goes with my artwork which is why I tend to work on things I know best, like my mandalas.

I generally don’t show my rough sketches or failed attempts at something I tried to create so doing this is stepping outside of my comfort zone. Here are my attempts at creating my dragon. I wanted something different because of the piece I plan on including it in is my week 1 class of Life Book 2018, the Garden Fairy.

I decided not to worry too much about taking a good picture. I just wanted a couple pictures that would reveal my struggle. In all of my sketches you can see I erased quite frequently and tried again and again to get something I liked. My very first attempt is actually the image on the right in the first picture. It didn’t look that way in the beginning. In fact, I came back to it after working on the other three. It had a partial body to go with it which I removed. I like how it now looks like the dragon is snuggled up to the neck of the girl I’ll draw, protecting her.

These two were just an attempt to figure out what angle I wanted because I wanted my dragon to end up sitting on the shoulder of the girl I will have in my final sketch. This may change to the snuggle image, but this was all done before that sketch morphed into it’s form to snuggle.

You might wonder why a dragon. Part of week one is a meditation and in my meditation I was surprised to find my animal to appear as a dragon. I want this represented in my art piece. Even though in my meditation my dragon had the appearance of a dragon like in DragonHeart the movie, I wanted a less imposing dragon for my art journal page since this will be more of a whimsical art piece or at least I think it will be. My first drawing was the closest to what I wanted so I returned to it to work on it some more. I am not totally happy with it right now but it is close enough to begin my art journal page using the suggestions from the week 1 class “Garden Fairy” of Life Book 2018.

I wanted to somehow explain my art process and how life, emotions, physical health can have an impact on that process. I don’t have a set process. I try to do something creative every day but what that something will be isn’t something I plan ahead of time. I don’t set down any rules that say okay, I’ll draw something every day, or I’ll paint something every day or I’ll do some art journaling every day or I’ll work on an art lesson each day or every week. That isn’t how it works for me.

Because my work schedule isn’t for the same set of hours five days a week, I can’t set a particular time to sit down to be creative or work on the classes. I can’t even set a particular time to write my blog. I do try and write a blog post on a day I’m not working because it does take time. It just doesn’t always work out that way and sometimes I miss a week or two. After my two days off, I have another seven days I work in a row which ends with the last day being an eight hour day with only one day off. This will be especially hard for me. I’ll be exhausted at the end of those seven days with not much time to recover. Luckily the other days are four hour shifts with about three of them being morning shifts. I like those because they give me the rest of the day to work on art in between the other chores I need to do. This is also why I will never ‘keep up’ with any of the art course I take.

There is one other thing to mention. I used to rush my way through the art classes but since I decided to incorporate the possibility of not copying them exactly, I find I need time to consider what I’ll do. This might take a few hours or it can take weeks. It depends on so many different factors going on. One of them being like trying to work out the dragon sketches, sometimes it is about deciding what I want included in my art journal page. These things go on all the time in the back of my thought processes while I’m doing other things like work or chores or errands. It isn’t until I feel ready to put pencil to paper that I begin like I did with the actual sketching of the dragon. That dragon was in my thoughts since I meditated more than a couple weeks ago.

I think I am already beginning to feel the smaller dose of progesterone working and slowly lifting the dark shadowy blanket permeating me. This is good. Today, I have chores to do and I plan on working on my sketch for my Garden Fairy. I want to make this page my own which means not sitting down and copying exactly what Tam created in her class but using her ideas and finding a way to design and create my own art journal page.

I welcome comments and love reading them. I’m not good at asking people questions to invite discussion but I would like to hear your thoughts and would love to hear about your own experiences especially if anything I wrote here brought things to mind. If  you don’t want your comments public, you can reach me through my contact page.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Art Journal spread completed

I’ve been working on my art journal spread which I spoke about in my previous post.  This is the progress of my page at the end of that post, you can read about it here.

My next step was to consider background and hair. I wanted to use watercolor paints and my attempts were less than satisfactory. It ended up too bright in a dark sort of way which meant the white or black pen I wanted to use to draw in her hair didn’t work. It became rather invisible.

To try and fix the situation, I decided to use white acrylic paint with a fairly wet brush. This meant the watercolor would then mix with the white paint creating a soft pastel background. Once dry, my black Sakura gelly roll pen then showed up nicely.  I often had issues with the pen skipping which at first I worked hard to try and avoid. Eventually gave up when I realized I liked the effect it had with the pattern in the hair.

Once I completed the hair with the black pen, I realized I wanted more color in the hair so I went back to my watercolor paints. I applied a small amount of the dark purple to the areas I felt would be shaded or darker, then using a wet brush I blended the color out to give a gradient appearance.  I added more color, some pinkish purple, and a bluish color (sorry don’t know the names, they are colors in the Prang watercolor set of 16 colors) around the darker purple leaving some areas white for highlights. I really loved how this turned out.

I learned about Prang watercolors from Barb Owen. Since I have a very tight budget I decided to give them a try. I didn’t originally use the Prang set when I started the background with watercolors. I decided to try a Daler Rowney watercolor set I had gotten a while back that were in tubes of 24. I bought a palette so I could squeeze some of the paint out to dry and then see how well they worked. I have to say I was disappointed in the Daler Rowney. In  fact, so disappoint, I switched to using the Prang set when my first attempt at using watercolor (Daler Rowney) failed.

It may be I just need to practice with the Daler Rowney set to get the hang of them but Prang is so vibrant it was difficult to switch to using Daler Rowney. The rest of the page when I say I use watercolor, I am using Prang watercolor.

For the opposite page, I first wanted flowers and tried more watercolors but it was an immediate fail. I am sure the fail was because of trying to use watercolor over acrylic paint without applying a watercolor ground first, so I went over it again with white acrylic paint. Before the acrylic paint was completely dry I added another layer with a wash of watercolor which mixed with the white acrylic paint. I dabbed at it occasionally with a paper towel. Below is the result.

You might wonder why I added the watercolor paint to the acrylic paint. First, the addition of more white acrylic paint meant what color had been in the background had disappeared even more and I wanted more color. Second, I wanted to see what would happen. My Prang set is almost used up so I wasn’t worried if some acrylic paint ended up in the watercolor paint. I became rather sloppy in my application but it was FUN!

I really liked the result and was trying to decide what else I wanted to do. I was still thinking about flowers when I saw a blog about an interesting technique. You can see the blog post here.

I tried a few things differently since I was working on top of acrylic paint. I eventually found what worked.  The biggest obstacle was in trying to figure out what pens or paint pens to use. I used Sakura gelly roll black pen for the initial drawing of the circles and lines. I tried using Faber-Castell markers, alcohol markers, and Permapaque markers but didn’t like any of them. Plus I was afraid of drying up the tips of the pens. Eventually, I decided to use a small paint brush and white acrylic paint to color the straight lines, to make them stand out more from the background. Then I used a Sharpe oil based paint pen for filling in the circles with black.

Once it was dry, I tried using charcoal to try and create the translucent effect but because the acrylic paint didn’t have enough tooth, it wiped right back off. My hands were covered in the charcoal more than the page. I wiped off the charcoal by just lightly wiping my hand across the page. What was left on the page, I left alone. I resorted to using graphite by rubbing the graphite onto the tip of a blending stump and then rubbing it on the page. I only covered the areas outside of the circles with the graphite.

My last step was to use darker shading of graphite around the circles and where the lines overlapped other lines to try and give it a 3D effect. To fix the graphite I sprayed the spread with workable fixative. I used workable fixative in case I wanted to add anything else to the page.

I may actually journal on the page by using either a white pen in the black circles or a black pen in the white lines. It would make an interesting journal page.

So far she is my favorite. She posed interesting challenges for me and I found I could do what people have been saying  which is if you don’t like it you can always paint over it.

I lost track of time while doing this art journal spread. I worked on it over several days. I know I started her before October ended but exactly what day, I’m not sure. I generally don’t spread something out this long, however with work, and #inktober going on when I started her I wanted to see if I could work on her in small doses. Instead of drying her with my heat gun between layers, I put her aside and let her dry naturally, usually over night. I only worked on her in October after I did my inktober drawing and if I had some time to spare.

When #Inktober was over, she became my main focus and is all I worked on until she was finished. I finished her yesterday other than the writing I may add later. I think her hair is my favorite part of her, that is, if I had to choose a particular technique from this art journal page. Otherwise, I love her in her completeness for what she represents of my art journey.

Note to self: I had to be careful of not drying out the tip of the markers I used. I am hoping I didn’t ruin any of them. They all still functioned after I used them and in some cases not as well as when I had started with them.

I need to learn ways of layering and using products that will help lock in a layer and give me a better surface for using other products on, hopefully reducing the chance of ruining a product. I considered using clear gesso, or matte medium but in the end didn’t use either. In some areas when I went back to go over the black gel pen lines on the lines due to the white acrylic paint covering some of them up, my pen would cause some of the paint to come up. I think the clear gesso or matte medium would have prevented this but I wasn’t sure how well my pen would work over top of either product. I do have an Art Techniques and Test journal (my Effy Grimoire version) which showed either of the products would have been a good choice, but I didn’t refer to it when working on this spread. I just went with my gut instinct.

One of the reasons I didn’t refer to my Art Techniques and Test journal is because I didn’t test what would happen if I applied clear gesso or matte medium over top of gel pen or some of the other pens I had applied to the page. I was afraid of, in particular, the gel pen smearing. Effy Wild addresses some of this in a couple of her lessons which I need to go back and make some notes about but I also need to add to my grimoire by testing what happens when particular products are applied over top of different pens.

Another reason I didn’t refer to my Art Techniques and Test journal is because I wanted to just experiment on the page. I wanted to find out if I could fix my own mistakes or work from just pure instinct. I think I was successful on both accounts.

The other things I learned:

• when in doubt check my Art Techniques and Test journal
• when it isn’t in my Art Techniques and Test journal, then add it
• let myself experiment on my art journal page
• let myself fail

I am not at all disappointed in this art journal spread. In fact, I love it. When I compare it to my previous art journal page in this book which was created from one of Effy Wild’s BOD2017 lessons, I can see so much improvement.

The difference between this art journal page and the one I just created is, this one was done by following a lesson. The one at the start of this article was done completely from my own imagination. The Effy lesson one was done around June 2017, so there is only about 4 months separating the two.

There are so many factors that separate these two pages. I think I’m more invested in pages I design and create on my own than I am when I’m doing one from a lesson. I don’t really consider something I have done from an art lesson as my own work. Therefore, I think I work harder on trying to do a good job on my own designs. Inktober, dare I say Inktober has been a powerful influence for me this year and I think it shows in this spread.

There is something here I cannot ignore. Following a lesson is wonderful for helping me to gain confidence in my ability to do something someone else is demonstrating. What it doesn’t do is give me confidence in my ability to create something completely on my own. Inktober is a demonstration of that this year.

In the page from Effy’s lesson I can’t even begin to tell you how I did it, but in the page I created all on my own, I can visualize almost every single step I took and the issues I ran into. I can’t help but wonder if one of the reasons I haven’t been doing any more of the classes is because of this.

Don’t get me wrong. I love doing the lessons and yes they have helped me immensely in taking that next step in my art journey. It just feels as though my journey needs to move forward more on my own than in following someone’s instruction. What these lessons have given me is the courage to step out on my own, without them I probably would have given up.

This is something I will need to think on for a while to decide if buying more of the art course offerings is something I want to do, or do I want to spend the next year just playing around on my own to see what develops.

What I keep hearing from that inner voice that tells me what to do is this. Do buy what I can afford in the art course offerings but do so only if it provides what I need for furthering my art journey in the direction I visualize myself going while challenging me to try something new and different. In other words, don’t keep buying the same thing and expecting my skill to grow if the courses don’t offer anything more.

This is paraphrased, of course. My inner dialogue is quite different and difficult to put in writing. It is comprised of a mixture of images, words and feelings/emotions. The wonderful thing about this is only I need to understand it.

This inner dialogue is also based on a lot of what I have learned over the past year from my purchasing experience. After having purchased a couple of courses which could not be saved and had a limited period to access them, it became quite clear to me this doesn’t work well for me. Logically, if I purchase a digital class, I feel it should be accessible to me for as long as I want and as often as I would like to view it. I know some art teachers don’t feel this way about their courses and feel they should be offered like courses are in college or live in a classroom setting. I think they miss out on a lot of students because of this.

I totally love the idea of buying a course and having permanent access to it. I have considered monthly or yearly memberships but this doesn’t work for me because of losing the access to the classes if I need to end the membership. I totally get the membership option that appeals to art/craft instructors, unfortunately, this doesn’t work for me and my budget. The other reason it doesn’t work is in the cases of the sites I’ve had an opportunity to look at, the membership doesn’t provide a good enough value for those courses that interest me. Basically, buying the individual courses would be better for my budget than buying a membership.

As stated, I will need to think about what art course offerings I will want to invest in for this coming year. I may find that list to be quite short, especially if I feel a need to pursue my art on my own to see what develops. The good thing is, most of the courses that appeal to me can be purchased over the next ten months or so because they are year long courses. Granted I might not get a discount but I can spread them out so it isn’t a huge hit on my budget at one time and I get more bang for my buck with these types of offerings. On top of that, I can take my time to decide if it is something I want after I experiment with playing around on my own for a while.

So much to think about and time will probably fly so fast I’ll wonder where the year went. That is how I feel about this year. Where did it go? It feels like it had been spring only a couple months ago not six or seven months ago.

By the way, since I started my job, my art supplies have suddenly stopped dwindling. Where I once thought I would never be able to keep up with my art supplies to have on hand for the art I was creating, I now find myself worried my supplies might get old before I have a chance to use them. Such an about face in such a short period of time. It is challenging for my mind and emotions to keep up with. I’m glad though. It means I have plenty to work with over the next several months and I’m still enjoying my job.