Handmade stencils and life

I’ve been working on designing and creating my own stencils. In my previous post I wrote about two of those designs.  Since then I created two more designs and cut them out. Then I did a test to see how well they worked.

Below are pictures of the stencils after I tested them.

The blue stencil (crosses) was cut out of a Casemate Index Divider. These are 8 1/2 in. x 11 in. letter size dividers which are generally used in notebooks. This divider is very thin and therefore quite flimsy. During testing this divider lifted a lot when dabbing with a makeup sponge which made it difficult to have clean edges (the paint got under the stencil). I also needed to have less paint on my makeup sponge.

The other three stencils were cut out of Avery Insertable Plastic Dividers. These are also 8 1/2 in. x 11 in. letter size dividers. They are thicker than the Casemate Index Divider. During testing these stencils stayed in place better and didn’t lift as easily when dabbing with a makeup sponge.

Here are pictures of the tests I did. I first spread a layer of acrylic paint over the page. Then I used black paint with the first two stencils.

The third stencil I used white paint. It was a bit thinner than the black paint but also this stencil is the one that was cut out of the thinner divider material. I wasn’t as careful as I should have been when applying the paint which is why the edges are sloppy.

The fourth test is a bit harder to see but shows up nicely on the white paint. I wanted to see how they would look layered and I like the effect. I used a magenta acrylic paint.

What I learned from these stencils is I prefer the Avery dividers over the cheaper Casemate dividers for making stencils. I cut them out using a box cutter. I like the control I have over the larger handle of the box cutter and it was easier on my hands and wrist than a craft knife. Maybe in the future I’ll see if I can use my jpeg images of these stencils with my Silhouette to cut them out of actual stencil material. However, I have found hand cutting them is relaxing, enjoyable and a good mental distraction.

I like the idea of using just portions of these stencils for layering backgrounds as well as using them with my homemade gelli plate. I have several other stencil designs which I’ll be working on and cutting out over the next several weeks.

Unfortunately, this is about all I have accomplished since my last post. Life is taking precedence. Even when I have a few moments to be creative, it is difficult to focus. Creating the geometric designs and mandala type designs for my stencils helps to bring some creativity into my life and helps me to feel like I’m not avoiding my artwork entirely.

Tonight, as I write, this is really the first time I’ve picked up any paints since my last post where I had worked with watercolor. The reason for that isn’t easy to reveal. Sometimes I get in an emotional place where I have a difficult time finding any energy to work with paints. When I’m in such a place, all I want is for things to go well. Paints and I have this unstable relationship right now where I tend to go dark with them and then don’t know what to do next. This creates a sort of anxiety stress, so when I’m in an emotionally stressful place, I just don’t want to add any more stress. I, therefore, try and avoid it.

Of late, I’ve been on shaky ground. A lot of life requirements which could no longer be put off are causing stress and anxiety. Any little additional stress just compounds the situation. This is why I haven’t done much with paints lately. Drawing geometric shapes and mandalas help to de-stress me or at least give me a break from the stressors in life which I feel I have no control over.

I am trying to learn to let go. This isn’t easy for me. However, life/God/the Universe has a way of forcing the issue.

After I did the tests with my stencils I decided to play around with the page. In the process when trying to splatter some black paint, I ended up dropping the bottle and spilling a good amount of the paint on the page. Trust me when I say the amount of paint spilled had me just looking at my page and thinking I couldn’t make it any worse. Therefore, I thought what the heck and I decided to add water, let it run around the page a bit as I tilted it in all different directions, then blotted it with a paper towel. The resulting pattern in the black paint was fascinating.

What I didn’t tell you is I had kept the cutouts from the stencils. I thought some of them might make a good mask, especially the large and medium size crosses and the other odd shapes could be used with my gelli plate to make some interesting patterns.

When I was trying to decide what to do about all that black, I laid down the cross stencil over the page and really liked the patterns I saw in the large cross. This gave me the idea to try using the cutout of the large cross as a mask and sponge white paint around the outside of it. I did this three times. Then I used a wet wipe with some white paint to try and soften the edges.  I used a section of the cross stencil to paint some black crosses around the lower part of the page. I’m starting to like the page so I know I’m not done with it  yet. I did decide however to set it aside for now since it is around 1am.

I was wondering how my choice in reading and studying the bible would influence my creativity. I knew it would, just wasn’t sure how long or in what way. Therefore, I’m not surprised it has, just a bit surprised it is doing so already with having only started my studies just shy of a month ago.

I want to write a bit about how my studies are going so far. I’m up to Chapter 27 in Genesis. I have found that using McGee’s recordings in “Thru the Bible” series inspires me to study the scripture deeper. I am almost always mentally challenging McGee’s interpretation and I’ll admit I often do not agree with him. I am not sure if it is because of my lack of knowledge of the rest of the bible or if it is because he and I are very different people.

Listening to his recordings does two things. It reminds me why I don’t attend church and because they are recordings I can first read the scripture, then listen to the recordings, and then read the scripture again, looking at it deeper to hear what it is telling me. And I can replay the recordings or go back to certain parts of the recording to help me understand why I feel a certain way about what he says. I can’t do this when attending church and just listening to a sermon leaves me with feelings that I don’t understand and at a loss as to what to do with them. I’m realizing I need to take things apart, digest them and put them back together again in a way that makes sense to me. Thereby, creating my own interpretation.

For example, McGee speaks about the description given of Esau and Jacob. The bible describes Esau as a hairy man and Jacob as a smooth man. For those who don’t know, Esau and Jacob are twin brothers. McGee compared Esau to being like a caveman or a hippie. What one needs  to remember is McGee’s recordings started in 1967 for Thru the Bible and I keep this in mind when I listen to his recordings. He considered Esau like a hippie because from his perspective hippies were hairy (they had long hair) and didn’t bathe much. I guess in his eyes he felt cavemen and hippies to be very similar. I would disagree with this but I do so from the perspective of someone who was born in 1960.

I sometimes feel McGee has a closed mind. His comments regarding books outside of the bible and hippies are just two examples. When I read the description of Esau and Jacob, my interpretation was more of Esau being a man with a lot more body hair like some men have today, while Jacob had much less body hair like other men today.  I believe the description was meant to emphasize how different the two brothers were, not just in thought but also in physical form. Knowing they are twin brothers without this description might lead us to believe they were more alike than they were, so the description aids us in understanding the deeper nature of their conflict. To go even deeper is the fact that there is also a mention of Rebekah, their mother, feeling the strife between them even as she carried them prior to their birth. I don’t believe Esau was anything like a caveman or a hippie. This is where McGee and I disagree on a fundamental level.

I remember as a child being told the the reason the bible is considered a living bible is because everyone who reads and studies it will receive their own interpretation or  understanding of what the scriptures mean to them. Therefore, I use McGee’s recordings as a catalyst. Without that catalyst, I have no doubt my attempt to study the bible would end like all the other times I tried and gave up. This time is very different from the other times and I find myself drawn towards my studies first thing after waking if I have a couple hours available before going to work. I also find myself drawn to study more than one chapter at a time even if I’m short on time. I try not to do so because I don’t want to feel rushed. I’m both surprised and fascinated that this is happening.

In other news, last week, my daughter and I needed to go into Vancouver. While there we decided to go to the Vancouver Art Gallery. It was our first time there. I am so glad we went. I got to see my very first Monet.

I was thrilled knowing I was standing in front of an actual Monet. I tried not to be disappointed. I couldn’t understand why I was disappointed. When I looked at it, I was left with a feeling that maybe it had lost its luster. It seemed dull or a bit out of focus when I looked at it and thought about other paintings but this is probably due to my lack of knowledge on Monet paintings. I have done a bit of research since then and discovered Monet did several paintings of the same subject in various conditions. I have no doubt the feelings invoked by the painting weren’t in fact disappointment but my reaction to the subject matter and the subdued nature of it.

What fascinated me even more about our trip through the art gallery was the exhibition “The Octopus Eats Its Own Leg” and my reaction to it. I don’t think I could do it justice in describing what it was about the exhibit that fascinated me. I could probably look at just one of the paintings for hours because of all the layers and fine details, and OMG the bright colors and patterns. My mind was blown away. All I could think was ‘how does he do that?!?!’ over and over again as I looked closer. In truth, when looking at the paintings at a distance the subject matter didn’t really fascinate me. It wasn’t until I got up close and saw the details. That is when the fascination kicked in.

I am so glad we went to Vancouver when we did and took the time to go to the art gallery. I’m enjoying my studies. Work is okay, I still enjoy interacting with all the people. Even though all of this seems to be going well, mentally I’m not in a good place right now. I honestly do not know how people do it. How do they live pay check to pay check trying to feed their family if they are only making minimum wage? Maybe it is worse for me because I had a really good paying job that I took for granted. All I can think about sometimes is that it should be a crime for people who work to not get paid enough to support themselves.

I saw a sign at a company once where I knew they paid minimum wage to the workers on the front line, which stated they supported a program to end child hunger. My first thought was, “then pay your workers enough so they can feed their children!”. Minimum wage doesn’t pay enough to enable the employee to support themselves let alone a family. It makes me sick when I think about it. I can’t tell you how helpless I feel to do anything about our current situation which if it doesn’t change could be quite devastating. And yet I know there are people who are in worse situations which I cannot even fathom right now. It scares me to death to think we could end up in one of those worse situations. I need to have some things done around the house but I’m afraid to spend the money and yet I know if I don’t those things could and will get worse. So, in a few weeks I’ll bite the bullet, find out how much it will cost, and spend the money.

I stopped writing this last night and went to bed. It was getting so late and I needed some distance to decide if I wanted to include all that I had written so far. I needed a fresh mind. At first, I thought I would delete a good bit of what I wrote since the intention of this blog was to be about my artwork. As I consider what I had written and whether I should delete anything, I ask myself, “Would I be denying the real artist within me by omitting anything I have written?” Yes, some of it is very personal. However, I cannot separate the rest of my life from my life as an artist. When I go out into the world, I do so as an artist. When I sit down to do a painting or drawing, I do so with the weight of my life and all that has influenced me, good and bad. Therefore, if I am to be true in my writing about being an artist, I need to include all areas of my life because no matter what it all influences what I create.

I also have to remember, I am not just an artist who draws or paints, I am also an artist who writes and a writer who is an artist. Writing helps me to process and that includes this blog.

When I worked or rather played around with my page last night, I got my hands into it. I had used a gift card for the first layer in spreading the paint I had dribbled all over the page in a haphazard manner. I can’t use a makeup sponge to dab on paint through a stencil or around a mask and not get paint on my fingers. I wasn’t liking how the splotches of color looked when I tried to add some layer of colors so I just started dribbling on paint and haphazardly smearing it around with my fingers. I didn’t use a brush at all on this page. The closest thing I used was a makeup sponge, a wet wipe and the gift card to move paint around. I still have some paint on me this morning. 🙂  Yes, I’m normally very fastidious about not getting too much paint on me and when I do to then get every bit off of me.

I am both fascinated and fearful of the changes which I am experiencing in my life. It is a scary place to be in right now. If it was just me, I think it wouldn’t be so frightening. Knowing I have the responsibility of my daughter and I am her sole support compounds the fear. Knowing I have a breaking point has me very weary and watchful that I avoid that breaking point at all costs. It is obvious I’m seeking answers, a resolution and a way through to a life that is less stressful or anxiety driven. For now, I’m doing what I can, which might mean that art takes a back seat if I have to work a second job to make ends meet.

If you have made it this far through my rambling and spilling out of my life, thank you. You are appreciated. Thanks for being here. ❤ ❤ ❤

~Patti

God, artwork, dreams and reality….

Wow, time seems to be having quite a bit of fun with me since my last post on the 3rd of April. My work schedule seems to reflect this. I had one day off on the 3rd, worked 1 day, then 2 days off, worked 1 day, then 2 more days off, then worked 8 days. During each of the two days I had work done on my car, my windshield replaced, and multiple recall items replaced. Thankfully, my insurance covered the windshield and the recall items didn’t cost me anything. While the car was worked on I worked hard doing a much needed cleaning of our home. I still have a bit more to do, however, it feels good that a majority of it has been done. In the midst of all of this I did some artwork, art journaling, designing and focused on a class and some other studying. I’m going to talk about these but not necessarily in that order.

I’ll tackle the studying part first, and if you aren’t interested feel free to skip down to the next topic.

STUDYING:

I’ll give a bit of background. I grew up protestant with a leaning towards Baptist and later non-denomination Christian. The very first church I remember going to wasn’t either one of these, and I’m not sure what denomination it was considered. I remember enjoying Church there because there was no preacher, just elders who ran the church and on occasion invited speakers to our Sunday services. Generally, Sunday service for the family was conducted with someone reading a passage from the bible and different members standing and reading from the bible, intermixed with singing gospel songs. There wasn’t anyone to tell us how to interpret the scripture. Even Sunday school for the kids was an adult reading from the Bible and then talking to the children about what was read, generally they were well known stories, like Noah and the Ark. I believe this early introduction to this type of congregation influenced my opinion of churches later on. I’m not sure what led my parents to switch from that church to a Baptist church but they did. The difference between the two was extreme though as a young person I wasn’t adept at working out why when I had been taught from an early age to not question my parents or adults. I just know I couldn’t fully integrate into the way these later churches were run, not even the non-denominational churches and I tried several of them. This was no reflection upon my belief in God, only in the very nature of how Churches are run and Preachers preach their sermons.

With this being said, it has been years since I stepped into a church. It never fails though that each time I have, I felt there was something fundamentally wrong, because every time I walked out of church I felt worse than when I walked into it. As the years passed I stopped attending church even though I didn’t stop believing in God. I have developed different names to represent God, such as, Universe, which usually is my way of saying Universal Intelligence, or Greater Being, or Great Unknown, and so forth. This is just my way of accepting that there is something unknowable that is greater than all of us. I consider myself spiritual and not religious.

When I am faced with the need to understand something, I don’t rely on what other people say or believe. That has never been my way. Consequently, I research, I observe, I experiment, and I do whatever I can to satisfy that need to understand. It doesn’t matter the topic. Whether it is how a certain art supply will work with or not work with another art supply, or if it is what makes certain people tick or respond in the way they do, including myself, and yes this includes understanding God.

I am often confused as to why I am driven to the need to understand something when I am not at other times. For instance, creativity has always been a part of my life. Throughout my life I’ve used various ways to bring creativity into it. Art, such as drawing and painting, were not part of this between the end of high school and until a few years ago. Oh, for brief periods of only a day or two or a week at the most I might have tried to get back into sketching but I was never driven to understand my need for it until a few years ago. Just as I’m driven now to understand more about God or more importantly my beliefs after years of being absent from any church.

I used to think those years were absent of all desire to understand. When I look back on it now, I believe those years were my period to observe and sometimes experiment. Experimenting was rare however. Observing takes years, at least my way of observing takes years because I’m observing everything around me and storing up inside, my response to what I have observed. Once enough is stored, it then drives me to research, and study whatever I can find, in order to understand what I have observed and continue to observe.

You are probably wondering why or how all of this is related to my belief in God. Well, I’ve spent my whole life observing and storing up information. Now, I am driven to try and understand which means research. I often make this decision subconsciously which the World or Universe, or if you prefer, God responds to. I had no sooner made this decision subconsciously when a resource was made known to me. That resource is a 5 year journey called “Thru the Bible” which contains five years of recordings with Dr. J. Vernon McGee where he takes you through the whole Bible. I tried several times to read the Bible on my own but usually got discouraged and stopped. I don’t think I made it through more than a couple books on my own.

This journey I began on the 5th of April is different from all my other attempts to read the Bible from the beginning to the end. I’m not saying I agree with everything McGee says in the recordings but what I am finding is because these are recordings I’m able to slow down, listen to what he says about the chapter I read, and allow my own intelligence and spiritual guidance to come to my own interpretation. I write down notes which contains my questions, how I understand what I read or what I’m lead to understand.

When I say lead, I’m not talking about just McGee’s comments because more often than not his comments spark more questions which are often not in alignment with his interpretation. I’m finally understanding that I am quite literal. If McGee’s interpretation contains within it something that is not stated in the scripture I just read and he gives no supporting scripture, I tend to discard his interpretation or parts of it, unless I come across scripture that later supports his interpretation. I know he comes from years and years of study, schooling and experience but that doesn’t mean he is right in everything he says. In fact, I often find he has very condescending and what I feel are judgemental statements which tend to rub me the wrong way. I take that as a sign to explore more and so I do.

I have considered not listening any further to his recordings, however, if I did, then I would not have the catalyst I need. I know this because I start my study period by first reading the chapter. After reading the chapter I usually have little insight. When I follow that by listening to the recordings for that chapter while making notes, I gain more insight and understanding. It doesn’t stop there, sometimes the rest of my day I find myself often contemplating what I am learning. If I only read the chapter I would probably lose out on a good 75% of what I learn when I allow McGee’s comments to trigger the opening of doors to further understanding.

This will be a three to five year journey of studying the Bible (from beginning to end) and possibly other resources as I come across them. I am curious if this will somehow work its way into my artwork and whether it will become a life long journey. I do know this journey will not be an easy one because it has already created some amazing shifts in my understanding and reality.

When I enter into something that creates such major shifts, time flows strangely and the world around me alters in unexpected ways.

ARTWORK:

Last time, I started a page in my watercolor art journal, in an attempt to go lighter with the watercolor pigments that I did on my previous page. I had shown this picture of the first layer of watercolor:

Though the image shows a light blue in the colors there really wasn’t any. It was the untouched watercolor paper or areas barely touched by paint that showed up with a blue tint. Seeing this in the photo made me want to play with adding other colors.

You can see in the below image where I added some blue and some more yellow. In some places where the blue touched yellow, the mix created a green or blue-green color. I let some of the blue run or drip. I then let it dry.

Once it was dry, I used a graphite pencil to create some shapes, then used white acrylic paint around the shapes, trying to bring them forward. I didn’t want to cover the whole background with this layer of white so I left some areas alone.

It has probably been a week since I worked on this page. I’m still trying to decide what to do next. I’m thinking doodles. In the meantime, and in between my studies and art journaling, I was lead to focusing on a class.

CLASS & Journaling:

In December 2017, I purchased the Art Bundle for Good. I learned about the Art Bundle in early 2017 and made my first purchase. The Art Bundle for Good is a project created or organized by John Bardos which provides some amazing art resources at an unbelievable discount and portions go to a worthy charity. When I first learned about it, I wasn’t sure about it but gave it a try and now I’m so glad I did. Having purchased two of the Art Bundles I’m amazed and thrilled with all that is included. I have resources that will last me for years so even if I can’t purchase another art class, there are enough courses in the two Art Bundles to keep me busy for a long time.

From one of these resources I received an email stating that Dream Lab was shutting down. I had only glanced at this opportunity when I went through the process to acquire the courses provided from the Art Bundle in December. I quickly emailed the owner, Andrea Schroeder asking if I would lose access to the courses. She quickly replied, stating no, that she was just altering the free course she had available, basically upgrading it and changing its name.

What this email did was to make me look at the courses I received from Andrea in the Art Bundle to see how they fit in my current life. I admit, I have been struggling with attracting what I want to have in my life, so when I saw the email and reviewed the courses, I thought “why not”. It couldn’t hurt. The course I’m talking about is “Creative Dream Incubator”. Her approach is very simple and what I love most about her lesson is the simplicity of it. Her artwork may not look like what I would create but it shows me that it doesn’t have to be elaborate or a masterpiece. People with little to no art skills can use her methods and techniques in helping to bring about a particular dream they may be struggling with developing and want to have in their life. I do believe it is based on the law of attraction but she takes it down to a more simplistic level for those who are not accustomed to or understanding what all is involved in the law of attraction. She provides simple tools you can learn to apply in your everyday life. I am up to module three. There are six modules in total.

I will admit that even with the simple methods I’m still learning how to apply them every day. I need to find ways that work for me. What I find interesting is in the artwork in particular I have added some of the steps before I read the module where she suggests adding particular things. So for me the artwork for supporting my dream comes naturally while the rest of the supporting elements doesn’t. I believe this is due to my being taught to not ask questions when I was a child and due to my environment causing me to focus on the negative instead of the positive things in life. I am hoping these methods will help me to alter that aspect of myself.

I won’t be adding pictures of this lesson for two reasons. The first is I feel the need to keep it private but wanted to write about the class in case others might be struggling with similar issues and want to give it a try. The other reason is Andrea worked hard on these courses and the pictures would be giving away too much of her hard work. I am recording my progress in my journal, which is the journal I use almost daily and my version of a bullet journal. This class isn’t just helping me with learning how to create my dream but it is also helping me to learn ways in which I can use my journal to support those dreams.

OTHER:

For a while now, I’ve had a couple things on my mind. Stencils/Masks and stamps. I read an article in the March/April 2018 issue of Cloth Paper Scissors called “Printing Lab: Carved Monotypes” by Dawn Emerson. Even before reading the article I have been wanting to find a way to make my own stamps. I have already made a few of my own stencils and masks, which I want to continue to do.

I don’t know why but this is something I keep putting off. There was a discussion in one of the groups on Facebook about copyright issues when using commercial stamps and stencils in artwork people want to sell. Like others I feel it is crazy when a product you buy can’t be used in your own artwork that you want to sell, especially if the person selling the artwork isn’t just selling a print of the image but has added their own artwork as well. I won’t go into the legalities of this. It is too complicated and too volatile of a topic.

I have in the past purchased some stencils and stamps. I use them only for my personal artwork. Since I don’t currently sell any artwork, it isn’t an issue. From the very start of getting into mixed media I have always felt the need to have everything in my artwork be my unique artwork. This is just one of the many reasons I also don’t do collage very much using commercially created items. I won’t get into that either. With wanting my artwork to be my own unique artwork it means if I want to use stenciling/masking or stamping techniques and collage techniques then I need to create my own. There is one benefit to making my own. I can do it cost effectively.

Below are two of my new stencil designs. I drew them on regular printer paper using pencil, then went over the final design in ink and scanned them into my computer. Scanning them serves a few purposes. It saves them in case the original copy gets destroyed. I can increase or decrease their size or even use just a portion of the design. I could potentially sell the design too. If printed at original size on 8 1/2 x 11 inch paper there is a small border around the edge which may not show up in this image.

I hope to use some of my images from Inktober 2017 to create stamps. You can see the images from Inktober 2017 here.  This takes me back to the article I read in Cloth Paper Scissors. In the article the artist created a monoprint from an image she carved into wood. This gave me the idea to try and use my wood burning tool to carve an image into a small piece of wood, seal it, and use it as a sort of stamp. I haven’t tried this yet but plan to in the near future. I also picked up some carving material used to make stamps so I can experiment to decide which method works best. It is possible one works best for certain applications while the other works best for other types of applications. I’m excited to give this a try and see what develops.

I often feel like I’m not doing much when it comes to my creativity. To alleviate me of this perception I started listing in my daily journal the things I have done that day. Sometimes, it is true, that I haven’t done any artwork but there is creativity in almost everything we do. Sometimes I have to get creative in accomplishing the mundane things in my life. Creating this list also helps me to see when other things have taken precedent and it is generally easy to see why.

I leave you on that note now. My studies call to me as well as those mundane things in life that need to be taken care of. Feel free to comment. Hearing from those who take the time to read my post is one of the more simpler joys in life.

❤ ❤ ❤

Clues

I try to take clues from my surroundings. This isn’t always as easy as it sounds. In fact, it can be quite difficult. No matter what, everything that occurs in our mental space is colored by our experiences in life and we don’t often realize just how much our perception is manipulated by past experiences. Everything we see, everything we take in, is first filtered by our mental space. In order to perceive anything, our mind, our mental space must first process it. This includes our emotions. We feel but in order to know what we feel, we must first let our mind process those feelings.

I didn’t understand how true this was until this morning waking from a dream. A dream I so very much wanted to return to. It wasn’t an easy dream. In fact, it was colored with many difficult emotions. You might wonder why I would want to return to it. Who would want to purposefully return to experiencing difficult emotions. It was because there was truth in those emotions that in real life I avoided or refused to see.

This happens in my art too.

That is difficult for me to admit to but necessary. I’ve been struggling with my art lately. Struggling in the way of not knowing what I wanted to create. Taking classes is fine. The classes help me to try out different techniques. They help me decide if it is a technique I enjoy doing or not enjoy doing. That isn’t what I’m struggling with. What I’m struggling with is, what am I inspired to create?

I face this question every time I sit down to create something on my own without following a lesson. I think I fight against what I’m pulled towards. For some reason I have this mental block and if what I create isn’t unique in some way and yet still contain the elements I’m learning in class, then it isn’t art. I’m not sure I’m explaining that very well so I’ll try explaining a different way by maybe stepping through my mental process.

First, I’m doing lessons from Life Book 2018, sometimes I go back to my 2017 lessons for Life Book 2017 and Book of Days 2017 and do some classes there which I haven’t done yet, but for the most part, I’ve been focusing on Life Book 2018. I say this because when I approach a blank page to do my own ‘thing’, these lessons are foremost in my thoughts. Should I start my page by drawing a girl’s face? Should I just throw some paint on and try something abstract like I did a week or more ago? If I do either one of these how can I make it different, make it my own? At this point I get lost because I’m not sure what makes my art my own. I’m not sure what my own style is. I sometimes think about the art I did for Inktober 2017 when I focused on faces and loved the dark graphic nature of them with stark black and white. Could I incorporate that? Then I become even more lost because I honestly have problems trying to let go and just try things, just play with my mediums and tools.

Then I start wondering, are faces really my ‘thing’?  I made faces something I wanted to focus on because I wanted to get better at creating them. I would love to be able to look at a photograph or a real person and be able to draw them accurately. This goes back to my high school days of feeling like I could only do realism because I could never draw anything from my imagination. I had to draw something from a reference. I’m not saying that is bad. I’m just saying I was envious of those people who could sit down to a blank sheet of paper and sketch something from their mind without any reference and make it recognizable. I still feel envious of them.

However, I have since learned, that once I learn the elements needed to create something, then it isn’t too difficult to draw it from memory. For instance, after watching videos on how to develop proper proportions when drawing a face and how to draw each of the parts, like eyes, nose and mouth, I can now draw a face without a reference. Getting a face to look like a reference photo is still difficult but I believe this will improve with practice. This however isn’t what I am setting out to do when I look at a blank art journal page. This isn’t practice. This is me wanting to create something which I hope will turn out beautiful or at least something I will like and yet have some sort of meaning to me.

I have tried different things to help me decide on a focal image for a page. I’ve tried collage, where I find something from my week or some period in my life to put down on the page. Doing this helped me realize I’m not into documenting my life that way or into that type of collage.

I have tried just throwing down paint without anything in mind just to see where it will go. Most times they come out dark, or muddy, probably because I don’t reference a color wheel. Sometimes the paints I choose don’t go down the way I thought they would on the paper I use. Doing this does help me to learn what works or doesn’t work on the paper I’m using. When they are too dark, or too muddy, I tend to be unhappy with the process and tend to abandon it for a while instead of trying it again. That was before I realized I need to be more aware of the choice of colors or letting colors dry between layers so they don’t create mud. But again, this method can work for backgrounds but doesn’t help me with a focal point for my page.

I’ve asked myself at times what do I want represented in my page? Most times my mind is blank and my emotions are confused when I ask this question. I’ve asked myself why can’t I think of something in response to this question? I’m not sure. When I reach what seems to be an impasse, I start to question my ability to be creative. Maybe I’m not creative. Maybe I have no imagination. I can’t seem to think of even simple things to create and put on the page. This isn’t just for the focal image but sometimes for doodles.

To try and get past this impasse, I might sit down with the thought of just doodling. I used to sit in office meetings and watch a woman doodle on her note taking paper. I was envious of her ability to just turn the ink in her pen into such interesting designs on a scrap piece of paper. I’ve never been one to just doodle. So…. I then think about selecting some tangle patterns and doing some Zentangle inspired art. The step-by-step tangle patterns is what helped me get back into creating art.

Tangle patterns, following the step-by-step instructions, appeals to my mathematical, or logical mind. However, randomly putting them into a design which is begun by creating a string in a given space, results more often than not into a pattern of chaos which my logical mind rejects. Even my creative mind has problems enjoying the randomness of it. My artist mind prefers patterns that form a cohesive pattern.

After exploring tangles, I moved on to learning how to create mandalas. I watched video after video, especially on how to create the grid that enables the creator to be more symmetrical when creating a mandala. I also learned how to draw a mandala from seed. I will be honest. I prefer using a ruler, compass and protractor. The mandala appeals to me so much that I return to it again and again and especially when I don’t know what to do or need a change from the lessons I’m working on. I like the preciseness of using ruler, compass and protractor. And… geometric shapes… yum.

Let me explain, why I’m writing all of this. I could just write this in my personal journal. It would do the same for me. Actually that might not be true. In my personal journal I’m writing to myself, in a blog I’m writing to other people. I want to make it understandable for other people when they read it. There is a completely different thought process here or when writing an email to someone than in my personal journal.  So there is a reason behind writing here instead of in my journal, plus I thought maybe revealing my thought process would help a developing artist to know they aren’t alone if they struggle with something similar. Writing helps me to figure things out. It also helps me to get it out of the forever cycle that goes on inside of my head.  Writing this has also helped me to realize I could possibly be fighting against my natural creative process.

These things have been on my mind this year. They are compounded with the fact that I have a tendency towards seeking perfectionism. I am learning ways to let go of that but the tendency towards perfectionism can kill or undermine that ability to play and have fun. Playing and having fun are difficult for me and not solely because of my need for perfectionism. They were trampled down when I was a child. Playing, having fun was something discouraged. I have to reach deep in order to overcome what I was taught as a child. I’m trying to find simple ways to do that right now and teach myself to explore and play with my art supplies. This is the result of one of those sessions, now that I think about it, I think I need to set this up as maybe a weekly practice, to do just one thing that is purely of this nature:

I first drew the mandala with pencil. I used Sakura Pigma Micron pen over the pencil lines I wanted to keep permanently. Then I erased the pencil. I then used my Elegant Writer to create darker lines and used a wet brush to make it bleed to create some shadows. The paper in my journal is not meant for wet medium. It is meant for drawing or writing, so using anything wet on it means the paper will buckle and I could risk it disintegrating, so I went light with the water and let the page dry before using anything wet again.

For the next layer, after the page was dry, I chose Inktense pencils, again activating them with my water brush and being careful to not use too much water. On this paper some of the Inktense didn’t blend or move very well. You can see this on the red Inktense on the background. They were dull and blotchy for the most part. I let this layer dry.

I needed to define the shapes more. I had become rather sloppy on the activation of the Inktense, so I wanted to firm up some of the lines while also trying to get the colors more vibrant. I remembered that my Inkjoy pens would bleed when I did my water test on them so I decided to make this flaw into an advantage. For each of the different areas I chose an Inkjoy pen color that would be closest to the color or complement it somehow.

For the yellow on the outside ring, I chose brown, and used a bit of water to make it bleed into the yellow. For the yellow on the inner pointed star shapes or triangular shapes I used a yellow green and again a bit of water. Blending the Inkjoys with water works WONDERFUL! I loved the effect and did it on the other areas, blending most of them with water. I did it in a way to leave the area along the line darker so it would have a gradient look. The last thing I did with the Inkjoys and water was to use orange around the outside of the mandala. This gave it a wonderful glowing appearance. I let this layer dry.

I wanted to add embellishments so using my Inkjoys again but without adding any water. I added in the green solid lines inside the star shape mimicking the pattern around by creating two thin lines and then a thicker line. I added some dots and then the yellow, orange and red sun patterns. Then I used a Tombow black marker to create the thicker and thinner black lines in the blue section around the outside of the mandala and considered it done.

I totally enjoyed just listening to what medium to use next while creating this mandala. If one didn’t work out the way I had hoped, then finding another medium that would enhance it or improve upon it worked well. Once I added the orange glow around the outside, I decided to leave the red alone. I like the random look of the red in the background. I used mediums together I never would have thought of if I hadn’t sat down to just ‘play’ and see what happens. I can’t say I was really free from worry or free from caring about whether it ended up badly, I just let myself accept that it might not turn out ‘perfect’ and see where that would take me.

I need to admit to myself that I try to force myself away from creating mandalas. That I think they aren’t worthwhile focal images. I look at the classes and see the artists/teachers drawing faces and I think I HAVE to draw a face. I see them putting words into abstract backgrounds and I think I HAVE to add words too.

I am wondering right now as I write this, what I would have created for my garden fairy if I had allowed myself to replace the idea of a fairy being a person or an image of a face, or an image of an elf and so on. Could I have created my page for this class using a mandala as the central focal point? Can I do this as well for the compassionate bear bonus lesson? Have I been fighting against my personal growth as an artist by avoiding what I am drawn towards creating?

When I created this page, the part that I loved best was when I added the spirals from stamps I had created and used the spiral stencil with the molding paste. AKA, mandalas.

Don’t get me wrong, I do not want to stop creating art with faces or other elements, I just need to find a way to use mandalas as a focal image if that is what I am called to do. Just because the instructor in a lesson is creating a whimsical girl, doesn’t mean I HAVE to do the same. Especially with the techniques Tam is teaching in Life Book and some of the other instructors are teaching. Life Book does include learning techniques and yes, learning how to create faces and other elements but mostly it is about using your art to process and let go or bring forward those things in life which you need to do something about.

I created a sketch of my compassionate bear from Tam’s bonus lesson for week 2 of Life Book 2018.

He’s cute. I like him. However… the question kept coming up in my thoughts, “Is this really what I want?” I thought about creating my dragon which hasn’t been easy to do. I don’t want to copy someone else’s design, and I don’t know how to create a whimsical character of a dragon. I’m working on it though. It will take some time and practice drawing in my sketch book before I’m ready to put it on watercolor paper to paint. In the meantime, I’ll paint my bear. I expect there will be changes to him before I do paint him. I’m not a heart type of girl, though I understand the symbolism of hearts and at times they do work with what I’m creating, just not sure I like it on my bear.

I am finding life interesting since I decided to honor my inner artist. Working and questioning my choices while using art to do so seems to ground me more. Art seems to invade all aspects of my life and my dreams which is nice.

Just the past couple days at work, I had thoughts that I should get into product package design because of the issues I see at work. I am exposed to thousands of products every day and often find issues that could be simply addressed.

For instance, certain cheese packaging has the barcode located where if the package shifts just a bit makes it impossible to scan. Packaging around individual mandarins makes it impossible to see the code because it is has an orange background around the code which is in clear packaging that lies over the orange of the mandarin. The code is impossible to see. Just a slight change in the coloring of the orange in the packaging would make the code stand out so the cashier can read it easily. There is a pet food package which puts the barcode at the top of the package. The default position for a package when a customer puts it on the belt is to stand it on its bottom and the cashier will normally just slide the package across the scanner in that position. With the barcode on the bottom or low on the side there is no need for the cashier to have to adjust the position of the package. With it on the top, it doesn’t scan the first time so the cashier tries again or has to look for where the barcode is and alter the position of the product. This might not sound like much of an issue but when a customer has over thirty or more products it interrupts the flow the cashier has for scanning products and getting the customer through the till in a timely manner.

These are things my artist eye catches and the new retailer employee in me would love to have changed. More often than not, it is obvious, those designing the product packaging have no idea the issues it causes cashiers. For large retailers, seconds to adjust packaging or to search for barcodes can cause delays and create lines at the till.

Before I got into retail, my understanding of how artists can make money was very limited. Now that I’m in retail and creating my own art, I see art everywhere. Any business that designs product packaging should have access to or hire an employee who has worked as a cashier. A cashier is intimately knowledgeable of the issues they face when scanning products or looking for the codes on products that need to be manually entered. I say this from personal knowledge. As an artist and a cashier, it is easy for me to imagine what small changes could be made to product packaging to make it easier for a cashier and I can visualize doing so with limited changes to the product.

I could not imagine sitting down as an artist and designing product packaging from scratch. I don’t have the skills in the various tools an artist would need to do that. But as a cashier and an artist it is easy to look at the package of a product and immediately visualize any issues the design could create for the retailer.

I know I’ve gone off on a rant but I think the rant was good. Though I subconsciously knew that artists had to be involved in packaging, it was something I didn’t think about. I knew they were in advertisement and usually companies dubbed it as marketing/advertisement and I just didn’t think about it in terms of product packaging. You see business logos and advertisements on signs and in commercials which just naturally overlaps with the product packaging. I’ve spent so much time lately on Facebook and reading blogs and other things about artists not able to sell their artwork that I didn’t think about how many artists there are in the world working in the background for all the various businesses. We aren’t all sitting at home in our own little studios creating our personal art. There are a huge number of us creating art for all the world to see to help businesses promote their services and/or their products.

I don’t know about anyone else but seeing it in this way shines a new light on the world as an artist. They are clues left by other artists letting us know, all things are possible if we just believe in ourselves.

Thanks for stopping by and reading. As an artist or someone recently creating art, what do you notice more of in the world that you didn’t see prior to creating art?

 

 

 

 

 

Garden Fairy from Life Book 2018 week 1

I chose to take a slightly different approach to Tam’s lesson for Life Book 2018 week 1 Tending to Your Dreams (Garden Fairy). I took some cues from her lesson and incorporated them into my page trying to make it my own.

Her lesson was about what to leave behind and what to bring forward from the previous year or years. I never really thought about it before other than, I just wanted the new year to be better than the year before. Especially if the year before had been a particularly rough year. If the previous year had been a really good one then I would just hope it would continue. Purposefully looking at what had been in my life and making a thoughtful choice on what to bring forward or leave behind had not been a process for me.  So, this was new to me.

With that said, I found this lesson interesting in that respect. Last year started out rough but did get better a little over half way through the year. I started to see changes I never expected but was very grateful to have happen. I chose to approach this lesson with care, thoughtfulness and purpose, therefore it took a great deal of time. I’m glad it did. If I learned nothing else from this lesson, I have learned I can create a piece of art that is loaded with personal meaning for me.

I made some other decisions. The first one was to not “copy” Tam’s drawings or even her techniques. When I copy a lesson as close to exacting as I can get with the materials I have, which is what I did last year, I discovered when I try to do my own artwork I have no idea what to do. This is because I’m not really learning other than I can copy someone’s work. I needed to allow myself to experiment on my own and learn from my own mistakes. The good I did learn from copying was just seeing how different products worked so I had an idea of how to use them. I just wasn’t learning how to incorporate colors and elements that worked for me.

The next thing I chose to do was to try working mostly in one medium. I know this is a  mixed media lesson but working with a lot of different mediums confuses my learning process. I’m not learning what a particular medium is capable of doing. I read an article about the best way to learn art and the different mediums is to focus on one medium at a time. Not only will it help with learning what that particular medium can do all on its own but integrating that learning is usually faster. Then I can switch to a different medium once I reach a level I am comfortable with and feel ready to move on. I’m fascinated with watercolor so I chose this as my main medium for this lesson.

The next decision was to allow my intuition to come forward to inform me of what elements I wanted on my page. I chose elements that would support the choices of what I wanted to bring forward or work on this year. I had already chosen the word BALANCE as my year word to focus on what I needed in my life. I incorporated the Yin Yang symbol to represent balance. I not only want a balance of my light and dark sides/nature, I want balance in all things in my life. It felt appropriate to place the symbol on my Elfin girl’s forehead located just above the third eye, to remind me I need balance not just in my thoughts but also in mental, emotional and spiritual realms.

In my meditation at the beginning of the year a dragon appeared. I understood what the dragon represented, strength, cunning and perseverance. These three things brought me out of a very rough period in my life and I wanted… needed to bring these things forward.

This was the beginning of my sketch for the lesson. The Elfin girl just appeared as I worked on drawing my girl. The dragon took some time to figure out which I wrote about in my previous post. I wanted something to represent the garden she is tending but the flowers didn’t feel right.

I erased the flowers and thought about what else I wanted to bring forward. I draw mandalas when I feel the need to become centered. I definitely wanted to continue this practice but I also wanted to incorporate them into my artwork. It seemed right to include one on this page.

I wanted something to represent harmony and happiness which is something I really need to manifest in my life. Tulips are my favorite flower. After rescuing some tulip bulbs that had been accidentally dug up by someone repairing our fence in our complex, I thought a couple of them would fit well not only in representing harmony and happiness but to honor those that were rescued.

I added some clouds to represent what I wanted to let go of. I had written in them those negative things that had been a major consumption of my energies last year. Then erased them but chose to keep the clouds. Too often, I suppress the negative emotions trying to forget they exist. I needed a reminder that I choose to let them go and not suppress them thus I chose to keep the clouds.

My ugly stage always begins with the skin tones. The skin tones never look right until I add hair color. I don’t have skin tone in my watercolors which means I have to mix it. My skin tones never come out the same but I’m okay with that. This is my first couple of layers.

I tried to take pictures periodically as I progress with my painting with watercolors. It is obvious I missed taking some photos of a few layers but I did most of what you see in the picture below, in one sitting after the first layers above had dried.

I took my time letting some layers dry while I worked in other areas. I added some more shading first, then the colors to the eyes and mouth, then went back to add some more color to the skin by adding some yellow. The last thing I did was the hair. It was tricky. I started with red, blue and purple, doing a wet on wet technique to let it blend together and adding layer onto layer to get the color a bit brighter. After the hair dried I added some black layered on top, adding water to thin it out in places so the colors underneath would show through. In the skin tone I added some purple, blues and pinks. Purple and blue to add depth to the shading and pink to give depth to the lighter areas, along with a bit more yellow. The trick is to try and not make her look jaundiced.

I worked on the dragon next and chose a bit of turquoise green, adding yellow for highlights and some blues to darken the shaded areas. I let this all dry.

In this next picture, I worked on the center of the mandala. I wanted it to have a bit of a gem appearance. Then I added the sun, some light blue for the sky, and light green for the ground. I chose not to do any collage but I wanted a layered look so I took some stencils and chose two different colors of blue (yes, watercolors), used a makeup sponge and dabbed on the colors through my stencils. I chose a darker green for the grass area and used another stencil. I added some light grey shading to the clouds. I let the paint dry between layers, and added some red and bit of brown to the sun to give it some texture too.

Below is my finished page. I added some yellow to the clouds, a bit more grey and some blue through a stencil, then some white acrylic paint over top the clouds after the watercolor was dry. The black dots were made through a stencil using black watercolor paint. I had a homemade dragonfly stencil and dabbed purple, magenta and red watercolor paint through it. All the stencils I used on this page, except two (the two in the grass) were handmade by me including the flower.  I chose these because I wanted more layers on my background. I didn’t outline them or add any detail to them because I wanted them to blend into the background.

I painted my mandala and flowers with watercolors. Once all the watercolor paint was completely dry, I decided to use some different mediums for the details.

I’m not adept enough with watercolor yet to make fine details which is why I said I would work MOSTLY in one medium. I knew for the details I would use other tools, other mediums. This is what I used:

1. Prisma colored pencils, in the hair, over the watercolor paint in the mandala, flowers, dragon, clouds and her face.
2. Gel pens, black and white, for some of the outlining and highlights.
3. Acrylic paint for highlights, the swan, the white beads and a bit in the Yin Yang symbol.

I didn’t mention the swan. I decided to add the swan. It has always been a favorite of mine and one of the first things I learned to draw by using the number 2 to start the sketch. Swans have always held a fascination for me. They represent grace and when I learned they mate for life, they became a symbol for me in regards to the kind of love I wanted to attract in my life.

I am thrilled with my page. It has depth of meaning for me. It encompasses all that I hope for this year and in coming years. Most of all, it has shown me I am growing as an artist.

I wanted to write about my experiences in between the different layers when I decided to make my own gelli plate but I’m going to save that for my next post. I think this one needs to be devoted to this project. She was such a pleasure to create. She deserves to have this post all to herself.

I have never spent so much time on one piece of art. At no time did I feel like I needed to rush so I could complete it. As I watched the weeks go by, as each week’s lesson was posted and others completing them within days, sometimes hours of them going up, I was satisfied to still be working on week one. Seeing what everyone else was creating just wets my appetite for the coming lessons which I know I will enjoy. Hopefully in the same way I enjoyed this one.

I did not feel compelled to start another lesson, although reading all the posts about one lesson using a gelli plate and people deciding whether to buy one or make one inspired me to consider what I would do. I then played around with options while I waited for layers to dry or during periods when I didn’t have time to work on my Garden Fairy between chores, work and just life but did have short periods to do other things. I will write about that soon in my next post.

Working this way was so very relaxing, no pressure, no guilt about not “keeping up”, even my inner critic was peaceful for the most part. She did surface occasionally, like during the ugly stages, or when I thought I had totally messed up when trying to add the swan.

Now that she is done, I’m looking forward to the next lesson and and can’t wait to see what develops from it.

Multi Day Spread

I’m am taking Book of Days 2017 class which is a year long class given my Effy Wild. In Week 11, Effy has a lesson about creating multi day spreads. I LOVE THIS LESSON. I can’t go into the details of the lesson, so will just show my progress so far. If you want to learn more, you can join her year long course Book of Days. This class isn’t just about techniques on how to use your different mediums to create art. It is about meeting yourself on the page. For the content she provides, it is worth the price of admittance. She is unbelievably generous in pricing, otherwise, I could not afford it. Thank you Effy! I am learning so much!

I begin with Monday, my first day working on my MDS (multi-day spread).

Monday, focal image

I do not plan any of the days in advance.

Tuesday, view of complete spread

Tuesday, close up

Some days, I have no idea what I’ll be doing, and I just start adding color to the page.

Wednesday, full spread

Close up

Slightly different angle

Wednesday was one of those days.

Thursday a bit closer

Thursday close up

Thursday full spread

Thursday, I had a plan. It was a strange day, waking up hopeful, happy and excited, then by evening, after a nap, feeling as though I hadn’t accomplished anything, and feeling scattered.

The more I work on this art journal spread the more I feel the desire to try something like this on canvas. I have never worked with canvas before. I have wanted to for a very long time and I think trying something like the techniques I used in this spread would be the perfect thing to try on canvas.

I used mostly Inktense pencils in this spread so far, along with some acrylic sprays I created by just adding water to my acrylic paint in a spray bottle. I layer colors until I’m happy with how it looks. Paint pens, gelly roll pens, uniball signo white pen, pilot super color gold pen, are just some of the tools I used for the details. The stencils are my own creation.

Each day I am thrilled with how my daily addition has added to the spread and created a cohesive view of my week so far. I won’t be doing Saturday and Sunday but I would not be surprised to include them on future spreads.

Because it is Friday, I will wait to post this until I do my Friday addition and can show the completed spread. So, I’m saving this post so far and will return to it later tonight or tomorrow.

I’ve been having a conversation online with some friends about working through fear, finding what works for us, getting past the frustrations and what causes frustration to begin with. I’ve dealt with this very thing for most of my life.

In the past, two weeks, I picked up “The Artist Way”, by Julia Cameron. I only just started week two. Week one was powerful. It gave me insight into my negative thoughts, how to alter them into positive thoughts, and ways to discover their origination. What I find wonderful about this book is at the end of each week’s chapter she provides a list of tasks to work on. There are a lot of tasks. You don’t have to do them all. You can select the ones you want to do. These tasks reinforce the process she speaks about as well as help you dig deeper into your past to find out what is causing the blocks, negative thoughts and so forth.

I mentioned this book in our discussions because for me it is giving me a process to follow. A much needed process to work through what has blocked my way for so many years. I fumbled my way through my life for a long time, and at times,  stumbling upon things which worked for me. And… sometimes, forgetting about them as I got lost again in my internal self made drama, because I didn’t know the tools to stop the self-sabotage. This book is about learning the tools that you can use for the rest of your life.

Ever since, the end of last year, when I decided to make a concerted effort to heal, using art to do so, it has been like a tiny trickle of water has gradually grown into a river and the flood gates are being opened. I now find myself having a multitude of choices and having to let my inner wisdom be my guide as to which choices are the best ones for me. Each choice has opened up more gates increasing the flow of knowledge and understanding.

Someone once said, once you hear a thing, you can’t unhear it. Or something like that. For me, this is so true, once I know a thing, I can’t unknow it. Without the appropriate intent, it can end up left at the side of the road until something brings you back to it to take it back up again but the knowing is always there.

The problem is if you don’t know the process to acquire the knowledge you seek, it can be a very difficult path to travel. I am learning that until we show the great Creator/God/Universe that we are serious about our intention, then we will only receive the minimum amount of help, just a bit of bait dangling to see if we are serious enough to take a bite of it. We are given more and more opportunities if we continue to take what is offered and utilize it. This week’s spread and the classes I am being drawn towards definitely reflect this concept. I am being overwhelmed by the amount of help available, some of it free, some of it expensive, some of it not free but within my means.

Here is my completed spread:

I am absolutely thrilled how this came out. Considering how long I have been learning multi media art (not all that long), I think I’m doing really well. If this was done on canvas instead of in a journal, I would be tempted to hang this on my wall.

I really don’t care what others think of it, though it is nice to hear from time to time if someone likes my artwork. Any artist enjoys hearing when others like their art. It helps with the self-confidence if we are really honest with ourselves. It, however, doesn’t crush me if someone tells me they don’t like it. It just tells me their likes are different from mine.

This is the work I focused on this week. I worked on this along with “The Artist Way” which I mentioned earlier. My week was a combination of profound happiness mixed with being overwhelmed by the efforts I have taken on to improve myself and my artistic skills.  Overwhelmed though in a good way.

The one thing I know for sure, is I have gone from hating my life, to loving my life and that is a huge accomplishment for me.

~Patti